A Quote by Ruth Gordon

If you're thinking of becoming a critic, why not make other plans? — © Ruth Gordon
If you're thinking of becoming a critic, why not make other plans?
I've never guided my life. I've just been whipped along by the waves I'm sitting in. I don't make plans at all. Plans are what make God laugh. You can make plans, you can make so many plans, but they never go right, do they?
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
I never make plans, because whenever I do I find out God has other plans.
The critic who doesn't make a personal statement, in remeasurements he himself has made, is merely an unreliable critic. He is not a measurer but a repeater of other men's results. KRINO, to pick out for oneself, to choose. That's what the word means.
Bad criticism recites rote arguments. The shame of rote arguments isn't just that they're cliches, though they are, but that they tend to hide from us why a critic is actually thinking what they're thinking.
LinkedIn is increasingly becoming a very strong place for companies to develop their talent plans, their recruitment plans, and so there are ways in which we can track some of the momentum there.
I think that becoming a successful rock band is a little like becoming a professional athlete. Nobody plans on it.
Critical thinking does seem a superior sort of thinking because it seems as though the critic is actually going beyond the scope of what is being criticized in order to criticize it. That is only rarely a true assumption because, most often, the critic will seize on some little aspect that he or she understands and tackle only that.
I became a film director, but I wasn't successful with my first couple of films, so I had to turn to becoming a film critic to make a living.
I tried not to think about my life. I did not have any good solid plans for it long-term - no bad plans either, no plans at all - and the lostness of that, compared with the clear ambitions of my friends (marriage, children, law school), sometimes shamed me. Other times in my mind I defended such a condition as morally and intellectually superior - my life was open and ready and free - but that did not make it less lonely.
They say God laughs when you make plans, that's why I make appointments and sometimes reschedule.
There's lots of room to be your own worse critic. It's just you, so I think that's inherit, that voice that's always that's there monitoring everything you do. It's definitely worse; the critic is harder when it's just you. If you're doing a show, then the critic can blame the other actors your with.
In the space of two days I had evolved two plans, wholly distinct, both of which were equally feasible. The point I am trying to bring out is that one does not plan and then try to make circumstances fit those plans. One tries to make plans fit the circumstances.
I learned more in the rehearsals for 'The Letter' than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
I didn't go into journalism thinking it would solidify my identity. I did it because I needed to make a living, and I was proficient in writing. But in becoming a journalist, I learned about other people who felt like they were on the edges of American mainstream life.
The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.
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