A Quote by Ruth Jones

I like really, properly detailed, described characters. — © Ruth Jones
I like really, properly detailed, described characters.
I'm really into, like, characters - music characters like Sid Vicious and Kurt Cobain - just, like, how they are and stuff. Like Lil Wayne.
'Thunderbolts' I was mostly attracted to because I really wanted to write Punisher and Elektra and Deadpool, who are characters I have always really enjoyed. But the funny thing is that over time, I came to really like Red Leader; he became one of my favorite guys in the book. Sometimes characters surprise you.
My screenplays are very detailed. The reason they're detailed... you have to think on your feet. You have to be ready to change because there are no such things as ideal conditions.
I dont really like simple characters too much; its too easy. I like a challenge, and I like characters you connect with on screen.
I don't really like simple characters too much; it's too easy. I like a challenge, and I like characters you connect with on screen.
In the second season, usually television shows are running with the characters; they really get them. And then, the third season, they can push characters and really explore secondary storylines and things like that. And so I tend to like third seasons of most shows.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
One of the things I'm concerned about is that I really want to make sure the races of all the characters are kept. I don't like it when black characters become white in movies, or things like that.
I like movies about people and movies with characters; that's what I'm drawn to as a person who likes to create these characters within the story, but I like it all, really.
I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.
A lot of [erotica] was really interestingly disguised in the 19th-century as medical journals. So it would be in the voice of a learned doctor talking about somebody's pathologies. And then it would get really detailed. And then it would get really sweaty. And then you're like, "This isn't a doctor! I would like to see a degree, Mister!"
I really enjoy those characters like 'Profit.' With those elements that are shady and dark, you're not responsible for being a likable character. Like some of Jack Nicholson's characters, you remember them for so long.
We're starting to realize that magicians have a lot of implicit know-ledge about how we perceive the world around us because they have to deceive us in terms of controlling attention, exploiting the assumptions we make when we do and don't notice a change in our environment. There is an enormous amount of really detailed instruction on how to perform magic. People are always blown away by how detailed a description you'll have.
I like Bret Easton Ellis' sense of humor. I feel like mine is sometimes similar to his. And how his characters sometimes seem really confused in a humorous manner. I like that. And I have that sometimes in my characters.
Usually, I like to play sophisticated-looking characters. I want to do 'Godfather'-like characters. Given my voice and style, such characters will be apt for me.
Even though sometimes you feel like you're hand cuffed you're really not because it really takes skill to play the music properly.
This site uses cookies to ensure you get the best experience. More info...
Got it!