I love those books like 'Gone with the Wind,' the huge, sweeping family sagas.
My stories deal with multicultural situations as well as multigenerational settings.
When I go to my live shows it's often a multigenerational audience, a family bonding experience.
We’re multigenerational Squires. (Carl) Which means what? You prance around with tinfoil armor and plastic swords pretending to be knights? (Nick)
I can't do saas-bahu sagas.
Great numbers of Asian Americans do not fit the model minority or 'tiger family' stereotypes, living instead in multigenerational poverty far from the mainstream.
Football is multigenerational. It used to be about fathers taking their sons. Now we're taking our daughters, too.
Sagas wouldn't be interesting if terrible things didn't happen to the people in them.
If epic poetry is a definite species, the sagas do not fall within it.
All good communal storytelling comes from the sagas and arguments within the writers room.
For us Icelanders, the Sagas are like the Bible, only much better.
I read a lot of Icelandic sagas when I was young. I've always been interested in the Viking culture.
Stars scribble on our eyes the frosty sagas, The gleaming cantos of unvanquished space. (Cape Hatteras
I would not want to be a part sass-bahu sagas. These are not realistic, and it gets tough for me to relate to my role.
There is a constant projection of stereotypes and 'saas-bahu' sagas that keep getting popular as opposed to some experimental storylines.
Like many people, I had the powerful experience of being raised on Dr. Seuss, then becoming a parent and revisiting him with my own children. That multigenerational experience around his work is very meaningful.