A Quote by Ruth Jones
I've probably been guilty of assuming people from by-gone generations were stuffy, two dimensional and a bit dull. But my trip on 'Who Do You Think You Are?' has proved the opposite to be true.
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With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
I live in a town that's two and a half hours from the border. I know people who have lived in San Antonio for generations, sometimes seven generations, their families are from there, and they are of Mexican descent, and they've never gone farther than the border.
My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form.
With the advent of DNA, we know that people have been convicted and sentenced to death who later proved not to be guilty of the crime.
I was guilty of appropriating when I did a video called 'Hard Out Here.' I was guilty of assuming that there was a one-size-fits-all where feminism is concerned.
song of elli (old age) "What is plucked will grow again, What is slain lives on, What is stolen will remain What is gone is gone... What is sea-born dies on land, Soft is trod upon. What is given burns the hand - What is gone is gone... Here is there, and high is low; All may be undone. What is true, no two men know - What is gone is gone... Who has choices need not choose. We must, who have none. We can love but what we lose - What is gone is gone.
God cannot approve of a system of servitude, in which the master is guilty of assuming absolute power - of assuming God's place and relation towards his fellow-men.
Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.
Even when I'm writing animation, I think of them as real people. I think of them as completely three-dimensional beings, even if it's a talking teapot. I don't think of them as one-dimensional drawn characters running around. Maybe that's why, to me, there's really no difference in writing the two - animation versus live action.
I think the craziest thing I've seen is probably a fan sleeping overnight for two nights before a show, which was probably a bit excessive - they still probably could have been first either way! But I guess it turned into a really exciting, sort of, camping-out trip for them so it was cool.
'Instagram' can engage generations of people that may not be on Facebook yet. I think that's true with 'WhatsApp,' and I think that will be true with things like Oculus.
We have never owned, as a country, the damage done not only to people who were enslaved but to future generations in which they were treated. I think that has damaged the future of many African-American people. Some have risen above it quite nobly, but it has impacted generations, and we have to be able to own that as part of the past.
From watching Lester (Flatt), I learned that it's important to be loyal to the people who made you and bought your music. He called me up to the front of the (tour) bus on the very first trip I went on with him. Lester pointed out two elderly people who were walking towards the but. He said, 'Those two people have been coming to see me since the mid 40's. That's what a country fan is all about.'
At a certain meeting two and a half people were converted to Christ. A friend asked if he meant, two adults and a child. The facts were just the opposite two children and an adult. When a child is led to Christ, a whole life is saved!
Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.
Film is a two dimensional thing - it goes up and down and left to right but if you put that music into that two dimensional medium, it became like a third, fourth, and fifth dimension, I really believe in that.
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