A Quote by Ruth Negga

I like connecting with people, and that's what good art is, a point of connection. There's nothing better, on stage or on film, than feeling like you've achieved that. — © Ruth Negga
I like connecting with people, and that's what good art is, a point of connection. There's nothing better, on stage or on film, than feeling like you've achieved that.
I like connecting with people, and that's what good art is: a point of connection. There's nothing better, on stage or on film.
The adrenaline is like nothing else. You might be tired or whatever else, but when you get on that stage and see people reacting there's nothing like it. It's a bit god-like - that feeling that nothing can feel better.
I love being on stage. There's nothing better than that feeling; ever since the first time I was on stage, I was like, 'Oh, this is what it means to be fully alive and satisfied.' I don't think anything's as satisfying as a play.
There's no feeling as a musician better than being on stage, sharing music with strangers. People you have never met, singing along, and making that connection with somebody is so awesome.
There's nothing like performing in front of a live crowd and just having people literally react to whatever it is you do, and there's nothing better than when you get that connection with the audience.
There's nothing better than being in a film that translates to audiences and makes people think and feel good and walk away with great revelations in their own life of some kind. But when the process and the experience and the fun of that matches, it's a good feeling.
I prefer film to the stage. I always like the rehearsal better than I like performing.
Beauty and art pervade all the business of life like a kindly genius, brightly adorning our surroundings whether interior or exterior, mitigating the seriousness of existence and the complexities of the real life, extinguishing idleness in an entertaining fashion, and, where there is nothing good to be achieved, filling the place of vice better than vice itself.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
I've learned how to be a better performer on stage and interact with the fans, make it feel like a collective experience more than just me singing songs on a stage and feeling really detached.
I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
I like to talk to the crowd on stage. I don't like going to a concert and feeling like the people on stage don't care whether or not I'm there.
It's a good feeling to come away from a day's work feeling like you've achieved something. Tired brain is good.
I think connecting to a character is like connecting to any human being - either you like them or you don't. You might not be able to list the reasons why you love your best friend or what attracted you to them; it's just something that you feel - a connection, an understanding, or a curiosity that makes you want to get to know them.
The dilemma I have is that everything I do at work is all about me, and at what point is that selfish? I'm just talking and singing about myself, or I'm standing on a stage and hoping that everybody likes me. Obviously, it's also about the music and feeling and connecting; I know it's deeper than that.
As rewarding as a good film role can be, there is just nothing like getting up on a stage and taking an audience for a ride.
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