A Quote by Ruth Negga
I like connecting with people, and that's what good art is: a point of connection. There's nothing better, on stage or on film.
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I like connecting with people, and that's what good art is, a point of connection. There's nothing better, on stage or on film, than feeling like you've achieved that.
The adrenaline is like nothing else. You might be tired or whatever else, but when you get on that stage and see people reacting there's nothing like it. It's a bit god-like - that feeling that nothing can feel better.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
I was never that good on stage with live improv. I was much better on film or writing something and then thinking about it. I was too in my head when I was on stage.
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
There's nothing like performing in front of a live crowd and just having people literally react to whatever it is you do, and there's nothing better than when you get that connection with the audience.
That's the process of making the film and it isn't until the world puts their eyes to it that you find out if it's creating any kind of connection at all. But every single film at some stage of the film I think, "I wonder what this is going to be?"
As rewarding as a good film role can be, there is just nothing like getting up on a stage and taking an audience for a ride.
Sufi music talks about connecting people. It talks about connecting hearts and connecting man with God. Everything that talks about connection is Sufi.
I think connecting to a character is like connecting to any human being - either you like them or you don't. You might not be able to list the reasons why you love your best friend or what attracted you to them; it's just something that you feel - a connection, an understanding, or a curiosity that makes you want to get to know them.
I finally got to the point where I decided I don't care if it's good art or bad art - it's what I do. I enjoy doing it, and people like it.
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
I like coming up with these spectacular extravaganzas that will, hopefully, totally blow people away. But I also like the intimacy of stopping it all and sitting at the edge of the stage and connecting with individual people in the audience.
For me, I value connection a lot, talking to people and connecting. Don't get me wrong: I enjoy having my own time, but I think it's really important to have that connection, so living on Mars would be a struggle for me.
Some people do stage and film. Some people are film actors, and some people are stage actors. I'm quite sure that any of the actors who did the original production of 'August' could have done the film of 'August.' I don't think any of them were particularly surprised when they didn't wind up doing the film.
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