A Quote by Ruth Negga

You know when you're a kid and you get to pick a movie every Friday? I watched everything. There's no particular genre that was appealing. I just loved the idea that you could dress up and play.
Doing an animation is nothing like anything you could ever experience. You get to be a kid again and just play dress up in a movie studio.
I spent a lot of time on film sets with my dad at work, and as a kid, that's a very appealing thing, to watch grownups get to play dress-up and pretend that they're different people - and then get paid for it!
I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
I watched the 'Seven Samurai' a lot because I loved it growing up. I can't describe to you how powerful that was. When you're a kid, you can't watch an almost-three-hour movie, but this was a war I just never saw before, with these samurai. I could relate to it, just being poor.
I watched 'Land of the Lost' as a kid, you know, incessantly. I loved it. Me and my brother watched it every Saturday.
I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.
I never got into the horror genre, and action was fine, but I just loved comedy. Any comedy I could get my hands on, I would. I watched 'Saturday Night Live' religiously.
I try to play the bare essence, to let everything be just what it's supposed to be in that particular spot...You have many things to pick from when you're playing, so you try to train yourself to pick out the best things that you know.
I just watched Paul Michael Glaser. He was the reason I wanted to do the movie because as a kid I was such a big fan of his. I watched all the episodes and tried to get a feeling for what he was doing.
As a kid, I could just pick up melody and harmony instinctively, and that's why I can play lots of instruments.
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
I watched my daddy play that guitar, and whenever I could, I would pick it up and strum on it.
First of all, I wish everyone who loved football could stand in the quarterback's shoes just for a play, because I think it would be tremendously humbling to anyone who loved the game to say, "I didn't -- I had no idea." You can think about what it would be like, and the cameras are getting better at giving that perspective, that one that the skycam comes down and you get a sense of it, but you just -- you don't know.
I found out about college radio and this whole noise genre blew me away. When I saw that guys could just get up there and have no traditional music ability and be in a band, it was really appealing to me.
I watched Gretzky, I watched Lemieux. Maybe it's the time when you're playing, but for a kid coming into the league, you play the Boston Bruins and you just watched Bobby Orr.
There's something inherently more appealing about the idea that you could reveal and tell stories about characters over the course of a TV season - 13 or 26 episodes, whatever it might be - than in the course of one two-hour movie. You can do so many more novelistic kinds of things on a TV show - with time, with gradual development of relationships, and so on - than you could possibly do in a movie. And that is very appealing.
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