A Quote by Ruth Negga
Often, it's easier to play someone further away from you because it's clearer who they are. I think if you want to make a performance authentic, there are a certain amount of leaps of faith into the unknown that you have to take. Otherwise, you're not really risking anything.
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I think if you want to make a performance authentic, there are a certain amount of leaps of faith into the unknown that you have to take. Otherwise, you're not really risking anything. I think if you don't risk something in art, it's not really important.
Sometimes it's hard to play someone so similar to you, because you can muddy the character. Often, it's easier to play someone further away from you, because it's clearer who they are.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.
Especially for people who are unknown, it's easier to get a TV show because you don't have to put a certain amount of people in movie theaters for a box office weekend. It's really difficult to get a great lead role in some big film, if nobody knows you.
It often seems easier not to move on; even the muck and mire in which we're stuck seems less fearful and less challenging than the unknown path ahead. Some people use faith as a reason to remain stuck. They often say, "I have faith, so I'm waiting." But faith is not complacent; faith is action. You don't have faith and wait. When you have faith, you move. Complacency actually shows lack of faith. When it's time to move in a new direction in order to progress, the right people will come to us.
We don't really know the ultimate outcome of our lives. All we can say is, "Fate has brought me thus far. This is where my life is right now, and I can either choose to stay here, or I can make a different turn that will take me somewhere else." I certainly am an advocate of taking a jump off the tallest mountain and just hoping a net appears. More often than not, when you take those leaps of faith, something really incredible happens. It might just take some time. You might take a long, hard journey, but the end of it is usually a great one, I find.
The beauty of the unexpected and unknown, and it's certainly very tantalizing for me as an actor. Other actors can't deal with that; they want to know, but then they make choices and decisions with that knowledge because that knowledge gives them forethought, and they can think about how they want to play something that takes away spontaneity of what they could be doing.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
Well people often ask me how I felt growing up with a father who was a politician and who was often away. But when I'm asked that question I often reflect on my inability really to be able to answer it in any relative sense because I never grew up with a father doing anything else. So I just have no idea what it would be like otherwise.
The worst part is the unknown. The pain of being alone, the loneliness, is familiar. You've dealt with that. You understand it. But loving someone, risking everything, is unknown. There's no way to know how bad it's going to be. You barely survive the pain of being alone, so how can you deal with anything worse? So you don't bother to try.
Do you think it's possible to change something in humanity, not risking? If someone tries to change something and is not risking, it probably means he's not changing anything.
Take away someone’s fear, or low intelligence, or dishonesty . . . and you take away their compassion. Take away someone’s aggression and you take away their motivation, or their ability to assert themselves. Take away their selfishness and you take away their sense of self-preservation.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
With any part you play, there is a certain amount of yourself in it. There has to be, otherwise it's just not acting. It's lying.
I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.
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