A Quote by Ruth Negga
Stories about race and identity pique my interest for obvious reasons. That's in my body, my brain, my history, my memories - it's all part of my toolbox as an actor.
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The human body is not the person. Identity is the way the brain operates; it's memories, it's sensory input and output. The mind is the person.
I always think about race as a part of one's identity, not the whole of one's identity. You don't want it to be the defining characteristic of a character. There has to be more.
So many of my memories are generated by and organized around food: what I ate, what people cooked, what I cooked, what I ordered in a restaurant. My mental palate is also inextricably intertwined with the verbal part of my brain. Food, words, memories all twist together, so it was the obvious way to structure my life. Each memory of food opened up an entire scene for me, it was the key that unlocked everything.
Historians constantly rewrite history, reinterpreting (reorganizing) the records of the past. So, too, when the brain's coherent responses become part of a memory, they are organized anew as part of the structure of consciousness. What makes them memories is that they become part of that structure and thus form part of the sense of self; my sense of self derives from a certainty that my experiences refer back to me, the individual who is having them. Hence the sense of the past, of history, of memory, is in part the creation of the self.
Regarding the idea of race, .. no agreement seems to exist about what race means. Race seems to embody a fact as simple and as obvious as the noonday sun, but if that is so, why the endless wrangling about the idea and the facts of race. What is a race? How can it be recognized? Who constitute the several races?.
Sharpton and Jackson are 'race brokers.' Their job is to define black identity and then keep blacks in line to vote to the highest Democratic bidder that serves their purposes. 'Black enough' is just another tool in the bamboozler's toolbox.
Theater actually took time to pique my interest. It just wasn't a part of my upbringing. I don't have anyone in the arts in my family. I wasn't brought up particularly cultured. It was always TV and film for me.
[...] the inevitable triumph of illusion over reality that was the single most obvious truth about the history of the human race [...]
But George Lucas is carrying about Black actors, about Black men, about Black history, which really incorporates and tells all of history. You can't take one race out without eliminating every other race if you're going to tell the story of the human race.
I've always loved history, from my youngest memories. My father enjoyed the great stories of history, like Hereward the Wake, Robin Hood, and Richard the Lionheart, and he shared them with me. I went on to do a degree in history, though I found it rather dry, because it was mostly about politics rather than dashing individuals!
In either case, ugly or beautiful, people derive a significant part of their identity, be it negative or positive, from their body. To be more precise, they derive their identity from the I-thought that they erroneously attach to the mental image or concept of their body.
Equating the physical sense-perceived body that is destined to grow old, wither and die with 'I' always leads to suffering sooner or later.
It's wrong to believe that you need a certain physical body type to run. All body types can run. It's not about your legs, muscles, or cellulite. It's not about the physical side of things. If you train your brain, your body will follow. It's that simple. The hard part isn't getting your body in shape. The hard part is getting your mind in shape.
A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history.
Nature has provided us a spectacular toolbox. The toolbox exists. An architect far better and smarter than us has given us that toolbox, and we now have the ability to use it.
The intuitive mind is nonphysical. It is not part of the brain or any other cellular structure in the physical body. It is part of the causal body.
Especially when we're dealing with issues of race, culture, identity, and history, the time has passed for the 'white savior' holding the black person's hand through their own history.
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