A Quote by Ruth Ozeki

For a writer, you definitely do not want to be in the mainstream. You want to be on the edge because that's where the vantage point is. That's where you can see. — © Ruth Ozeki
For a writer, you definitely do not want to be in the mainstream. You want to be on the edge because that's where the vantage point is. That's where you can see.
[People] want to see great trade deals, they want to see a strong military. They want to see reduced debt, because we are at a point where we are going to be soon at $19 trillion and they just, you know, they can't stand seeing it.
I definitely want to act and I want to sing. If those two fall through, I want to become a writer, probably, like a songwriter for other people, or a novel writer. I write a lot, and I read a lot. I like reading fiction.
It's nice to see how much the mainstream fashion community has been so accepting of it. It's very exciting to see that folks finally want to make plus-size mainstream.
All of us black comedians are trying to be mainstream, but you don't want to lose the edge.
I want to stand as close to the edge as I can without going over. Out on the edge you see all the kinds of things you can't see from the center.
I still use the pronoun she for my publicity materials, and for mainstream media stuff, for two reasons: the first is that I do a lot of work in public schools, and I want those young women and girls to see every kind of she there can be. I want them to see my biceps and my shorn hair and shirt and tie and for some of them to see me as a possibilityI want them to see me living outside of the boxes, because they might be asphyxiating in their own box and need to see there is air out here for them to breathe, that all they have to do is lift the lid a little.
By choosing better feeling thoughts and by speaking more of what you do want and less of what you don't want, you will gently tune yourself to the vibrational frequency of your Broader Perspective. To see your world through the eyes of Source is truly the most spectacular view of life, for from that vibrational vantage point, you are in alignment with, and therefore in the process of attracting, only what you would consider to be the very best of your world.
I love dancing just because I've done it my whole life and it's definitely what I want to do. I feel like, I want to train with acting and do movies. Those two are my main priorities. I definitely want to be able to sing and model, too. I definitely love those, too.
I definitely want to branch into television and mainstream.
I want to invite the mainstream into my world and to my sound and to what I'm doing. And I want mainstream artists to respect me and accept Latino artists as equals without us having to sing in English. I want them to know that I can compete globally, with whomever, in Spanish.
On Russia, I can only repeat what the president [Barack Obama] said. This is all about respecting certain principles, and I'm saying this from a European vantage point, from a European, from a German vantage point, sorry, the fact that for over 70 years we have been able to enjoy peace.
On stage, everyone stays put; the vantage point is always the vantage point, and you have to play to the size of the house. And of course, on film, there's different angles, different shots, so that determines how animated or how still you must be.
I found that looking at the Israeli/Palestinian conflict from an outside vantage point was actually quite distancing. The history of the conflict, the personalities, the violence, the distrust, and the seeming lack of viable solutions made meaningful involvement feel impossible. What changed that, for me, was changing the vantage point.
At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
From my vantage point in writing a story, I can't and don't and have no interest in thinking about the level of sophistication of the audience. I can only think about what interests me, and maybe what I would want to see if I were watching the movie. To me, that's the key to writing something that's not pandering.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
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