A Quote by Ruth Ozeki
I've always played that edge of fact and fiction. I used to be a filmmaker, and certainly in film that's a line that filmmakers cross more readily and more easily than novelists.
Related Quotes
As a filmmaker I have changed, yes. I seem to have crossed a line and that journey, trajectory change is more apparent. I'd say, what changed dramatically in me as a filmmaker is the fact that now, it is about why am I making the film, what is this supposed to mean to people. Earlier, it was more about entertaining or engaging them.
Rumor is rarely more interesting than fact, but it is always more readily available.
I'm more influenced by novelists than I am by filmmakers.
But for all those who don't want the Queen there are easily as many who don't want a President and even more who certainly would not want one if they knew who it would be. As you can readily see, I have given more thought to this subject than most and I have reached my own conclusion. God save the Queen.
I've often thought even ragtag gatherings of documentary filmmakers are more fun than gatherings of fiction filmmakers.
I don't think I'm more of a screenwriter than I am a fiction writer. I'm more of a reader than a film-watcher, so I imagine that I'm not approaching fiction or films in a particularly cinematic way.
The interesting thing about basketball is that it is played recreationally all over the world in playgrounds where people shoot hoops. Perhaps it is because of this that the look of the game seems to have been able to cross over into streetwear more easily than that of some sports that are confined to more specialist arenas.
The fact, and the intuition or logic about the fact, are severe coordinates in fiction. In the short story they must cross with hair-line precision.
We need more filmmakers of color telling the story. I'd like to see more filmmakers take their products out independently, put together a good commercial film and distribute it online.
A petty reason perhaps why novelists more and more try to keep a distance from journalists is that novelists are trying to write the truth and journalists are trying to write fiction.
Sitcoms are more like stage drama than anything else on film - more than a one-hour and certainly more than a movie. You get a script on Monday. You rehearse all week. And on Friday, you're on.
I'm more thrilled by the short fiction than I expected to be. I've found more pleasure in reading short fiction than I used to. By seeing what kinds of thinking are going on in short fiction. I was also surprised by the panic I've felt, especially at first, when we'd put an issue to bed and then realized we had to put another one together.
When I'm writing film music, I feel like I'm more a filmmaker than a composer. It's more about what the film needs. I'm basically part of the team that's creating a film, and the music is a very important part, but it's just one part of many.
We [fiction writers] are much more of a maze than we are a motorway. Things are always in flux, they're always in movement, they're always twisting back on each other. I think the straight line is such a lie.
The symmetry of form attainable in pure fiction can not so readily be achieved in a narration essentially having less to do with fable than with fact. Truth uncompromisingly told will always have its ragged edges.
I think biography can be more personal than fiction, and certainly can be more expressive.
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