A Quote by Ruth Prawer Jhabvala
Film, for me, is in two stages. One is when I write the script more or less on my own - that's the nice bit. And then comes for me the unpleasant bit when they all go off, 100 people - actors and camera people and film and sound - and I stay away. When they go into the editing room, I come in again, and that's the bit I like.
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I can't wait to go back home and disappear into relative obscurity for a bit. I just want to go back to my house and just get away from it all for a bit. It's so flattering to hear people say nice things about the performance, about the Harry Potter film. It's great. Don't get me wrong. I'm not ashamed of it. I'm not shunning it. It's just been such a bubble I've been in, with these promotions.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
Argentina is a bit tough to people. You don't embrace genre film in general. They are more like, in the film community, a bit snobby.
Film gives me live actors, editing, music, sound, a huge and powerful toolbox to play with. If there is a problem for me, it is that film gives me too much. There is less room for the audience to add their side of the conversation.
Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"
Curiously, the balance seems to come when writing is woven into every aspect of my life, like eating or exercising - one flows constantly into the next: I'll wake up and have coffee, read the news, then write a letter or two (always in longhand), then go teach, and after teaching write a bit in a journal - dreams, what I had for breakfast and lunch and why I had it, what's on the iPod, sexual habits, etc. - then read a bit, then work on a real bit of writing...you get the idea.
Revolutions come in two stages: the bit where everything gets smashed and the bit where you have to build it again. The first is great fun; the second is so very hard.
I do enjoy filming, but I do consider myself still to be a bit of a novice, and I learn a bit every time I do a film job, and I am very admiring of film actors.
Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.
I have never been afraid to go a bit out there with what I am wearing on film. I tend to be a bit more conservative in real life, with mountains of black in my closet.
I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.
One of the things I want to do with 'Desi Rascals' is go a bit deeper into the characters and their family lives and have a bit more heart and a bit more inter-generational story-telling, so it's not all about young people.
I think the reason why I haven't done a film in India so far is because I haven't found a script that's completely gotten my attention and made me passionate to get it made. I keep saying I'm not at all famous in my own country, because people do not think I have done anything for India. The reason why I'm making movies outside my country, bit by bit, is to be able to come back to India equipped with the knowledge and understanding of how to hopefully produce my own films one fine day.
As an actor, variety is the spice of life. I love theatre… it's what I enjoy the most. But a bit of TV, a bit of film, a bit of stage - what more could you ask for?
I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.
I like solitude. I'm very good at being disconnected. I do a lot of disappearing. People who know me go, 'Oh yeah, Mailman, she's gone into her cave again.' I'm like that, a bit of a hibernating bear. Like that crocodile that just sits there in the water and doesn't do much. I was always a bit of a dreamer as a kid, so that hasn't changed.
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