A Quote by Ruth Reichl
What I like best is the challenge of learning something I didn't know how to do, going beyond my comfort level.
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I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.
A learning experience for sure. You're always learning in this business. How to work with people and how to handle your band on a professional level. How to stick up for your band and do what you think is the right thing and to know when to let things happen against what you think is best. It's challenging but it's been a good thing for us, no doubt.
Disney is our contemporary landscape. The best art will reflect that and challenge you. Disney comforts you, whereas the best art shakes up your comfort level and perception.
So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.
I like having the vinyl, but it's not like we're going to sell an umbrella or something. I don't like the idea of selling something that's not music - I mean, I like going to shows and buying the shirt, but beyond that, I don't know. There's a lot of crap in the world.
What really matters when facing a challenge? What matters is learning. You want to test yourself, throw yourself into something outside your comfort zone and see what youre capable of. Your true goal is not to conquer fifty feet of inanimate rock, but to expand your abilities through learning.
I've taken quite a few risks on the ski slopes. Like if I'm a green-level skier, I'm going on the blacks just because it's hard and a challenge. That's probably not the best idea.
I always get offered the pretty, popular girl roles, but I want to do something dark, really challenge myself and get out of my comfort level.
We're going to fellowship in eternity. We know that because that's all who's going to be there - is believers. What does God want us to do here? Practice - learning how to love, learning how to fellowship here.
My approach tends to be from experiments. I need the challenge. If I know how to do something well, there's no need to do it all the time because it becomes a little monotonous. So I like to find a challenge.
With fiction, I've grown to really love the challenge of lying, the challenge of telling a good tale that isn't truthful, and working with performers is endlessly fascinating. You know, learning what a good performance is, how to get a good performance, how much or how little you need to create emotion or to create character.
I just look at the character and the arc of the character, and see if it's going to be challenging. We always want to challenge ourselves. That's the biggest thing that I look at. Is this going to be a challenge? Is this going to be something that I can try my best to create, that no one could see anyone else do?
For me, my level of comfort is the prime factor. I'd never compromise on my comfort, no matter how much a script needs it.
All writers know in advance that they are not going be able to reproduce in its wonderful fullness the thing that's in their heads; we're going to get some corner of it. We're going to do the best we can, but we already know it's beyond us.
Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.
My mentality has always been, If I'm not the best at something, then I might as well be the best at something else. I realized that I wasn't going to be an Olympic volleyball player, but I knew I could model at that level.
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