A Quote by Ruth Reichl
What I always do in times of trouble or stress is to try and do something I don't know how to do.
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I always try to relate a song to something what is going on, the working man, the times, how life goes.
I don't really know what makes someone want to be a cartoonist, but part of it is trying to get in trouble. You're looking where the line is and seeing how much you can step over it, and I mean, I do that in my personal life, too. I try to anger and piss people off a little bit to try to see what I can get away with. I got in trouble with more than one cartoon.
That's the trouble with the conventional doctors. They always say, 'How does it work?' but often there isn't any neat little answer...Something simply works...We don't really know how it works. We say we do. We know one or two things we can see and measure.
I think at times of significant stress people are going to be looking for something and they don't always know exactly what it is that they're looking for and they may opt for change even if they're not entirely confident what that change will bring.
Inserting my personal brand of humor is something I have at times had trouble doing - but I feel like I've been learning about it a little more, how to do it, and how it helps my songs.
It seems to me that "Gender trouble" will always be important to try and open up our ideas of what gender is. So, I don't know if it's revolutionary, but maybe it still has something to say to those issues.
I spend quite a bit of time thinking about my students. I look at them, at their work, I listen to what they tell me, and try to figure out who they might become in the best of all possible worlds. This is not easy. Students try to give you clues; sometimes they look at you as if imploring you to understand something about them that they don't yet have the means to articulate. How can one succeed at this? And how can one do it 20 times over for all the students in a class? It's impossible, of course. I know this, but I try anyway. It's tiring.
Pets are always a great help in times of stress. And in times of starvation too, o'course.
Acting was something I always wanted to try. I just didn't know how, or I didn't know when the door was gonna be open for me to try it. But it finally opened up for me when I did 'Turn It Up', and ever since then I've been in love with doing films.
Stress is something that is sort of out of your control. You get stressed out over looking at the finish line. Stress is something that is an outside thing. Stress is an anxiety.
Stress is not necessarily something bad it all depends on how you take it. The stress of exhilarating, creative successful work is beneficial, while that of failure, humiliation or infection is detrimental.
Each day I feel a little differently; some times I try to write something that's fictitious and then there's other times where I try to write something that's true.
I don't believe in trouble. Because I think that trouble is sometimes good, sometimes bad. I've been known to be called trouble, which I think is quite a compliment. But I suppose, thinking about it, that my best and worst trouble has always had something to do with a man.
In times of great stress or adversity, it's always best to keep busy, to plow your anger and your energy into something positive.
No matter how much we know about the other person, there is always something going on in that other heart and that other head that we don't know but can only ponder. And no matter how we explain ourselves to someone else, no matter how open we are, there is always still something inexplicable, something hidden and unknown in us, too.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
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