A Quote by Ruth Rendell
I try, and I think I succeed, in making my readers feel sorry for my psychopaths, because I do.
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I try, and I think I succeed, in making my readers feel pity for my psychopaths, because I do.
I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.
People tend to think of psychopaths as criminals. In fact, the majority of psychopaths aren't criminal.
You may succeed in making another feel guilty about something by blaming him, but you won't succeed in changing whatever it is about you that is making you unhappy.
I feel sorry for people in power. I feel sorry for the Queen, in a way, that she hasn't had a normal life. It'd difficult for me to hate anyone. Immediately someone's unpopular, I feel sorry for them.
I feel that historical novelists owe it to our readers to try to be as historically accurate as we can with the known facts. Obviously, we have to fill in the blanks. And then in the final analysis, we're drawing upon our own imaginations. But I think that readers need to be able to trust an author.
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
I think there were six or eight weeks between 'Total Recall' and 'Seven Psychopaths.' I was at home in Los Angeles for 'Seven Psychopaths,' so it was the first time I had worked from my house here so it was great to be around the kids.
I may not know the weight of those things, but I could feel the weight of that one, so I kept it to myself. You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you. I suppose it's why you feel so far away from everyone, in the end; anything you can think of to tell them just ends up making them feel terrible.
I feel somewhat privileged because I often feel very sorry for kids. I often feel very sorry for 20-year-olds and teens who grew up with the internet and have grown up completely connected because, for me, people like me know what it was to struggle, but it wasn't a struggle. It was great! It was fantastic. The thrill of the hunt.
I try to write short novels and leave details out not because I want to be minimalist, but because I think that it enables the readers' creativity and interaction with the book.
The more rational statement is that we feel sorry because we strike, afraid because we tremble, and not that we cry, strike, or tremble because we are sorry, angry, or fearful as the case may be.
All I really think about is, 'Don't try to kick the ball too hard,' because a lot of times when I missed kicks, it was because I tried to kill it. I just try to think of a smooth swing, being slow and under control, and making the kick.
The only pressure I feel is to write good books. And to not replicate the previous book. Whether you have a thousand readers or a million readers it doesn't change the pressure. I never feel tempted to give the reader what I think the reader wants.
Try something new when you feel great about yourself! Try something new because you have been dying to try it, thinking about it for weeks, and have had multiple discussions about it. Do not make brash decisions because you feel ugly and think this will be the answer.
Part of what I like about the best villains in TV and film is when you feel sorry for them, and that makes you feel even worse for feeling guilty about wanting them to succeed, in some way.
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