A Quote by Ruth Rendell

To be a classic, a novel should be original. — © Ruth Rendell
To be a classic, a novel should be original.
I've had stuff of mine adapted by other people, so I've come to the conclusion that a movie is a different form from a novel and there is no such thing as a true adaptation. You have to adapt to this other thing and do it right. But that voice of the original should somehow still be there, and the original intent should still be there. So if the original writer saw the movie, the writer would say, "Well, that's not what I wrote, but that's what I meant." And if you can do that, I think you've done your job as a screenwriter.
The original 'Scream' is one of those classic things, but it totally pokes fun at itself too. It's never taking itself too seriously, which is why I think it's such a cult classic.
Waiting for the Electricity is a wildly original and ambitious debut, a novel that tackles cultural clashes with satirical hilarity. I haven't read a first novel this promising since The Confederacy of Dunces.
An idea you have might not be original. But by creating a novel out of that idea you can make it original.
I had written a novel that was more of a classic linear novel, and I worked on it and worked on it for years, and it always seemed like it wouldn't catch fire. At a certain point I just scrapped it all, and I kept maybe 15 percent of it, and I wrote those parts out on note cards.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
In the summer of 1866, as Leo Tolstoy prepared for his serialized novel 'War and Peace' to be published as a single volume, he wrote to illustrator Mikhail Bashilov, hoping to commission drawings for the new edition of the novel, which he referred to by its original title,1805.
One novel in five hundred or a thousand has the quality a novel should have to make it a novel -- the quality of philosophy.
Well, people have been wondering what's going to happen to the novel for two hundred years; its death has been announced many times. You know, I think the novel keeps redefining the world we live in. What you should look for in a novel is a window nobody else is looking out of, that nobody else can look through. What you look for is a voice. You pick up a novel by someone such as Faulkner or Hemingway and you just read three pages and you know who wrote it. And that's what one should demand of a novelist.
'Don Quijote' by Cervantes. I read the original Spanish version when I was in high school. Such a classic!
'The Secret Agent,' Joseph Conrad's 1907 novel about an anarchist plot to blow up the Royal Observatory at Greenwich - in fact, a scheme by a secret police agent to stir up a government backlash - has acquired a kind of cult status as the classic novel for the post-9/11 age.
Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don't know - Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel - the quality of philosophy.
I'd love to do a noir. I think Steve McQueen is so cool. But a classic film is a classic film, and perhaps the fantasy of being those characters should be left alone. You're treading on very thin ice.
The original 'Star Trek' series is the classic one. Its successor, 'The Next Generation,' is less lovable, but at its best, it's smarter.
I watch a lot of classic movies - my TV guilty pleasures are 'The Wonder Years' or the original 'MASH' show.
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