A Quote by Ruth Rendell

I really do literally put myself into a character's shoes. — © Ruth Rendell
I really do literally put myself into a character's shoes.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
The clothes, the shoes, the gold belts and the necklaces always click me into the character, for sure. You could not feel the character, and then you put on the shoes and get the walk.
It's always different for whatever the scene asks for but usually, I listen to music before the scene just to get into the mood, mellow myself out and really put myself into the character's shoes. I zone out from everything going on around me and just focus on what I have to do. From there, I just let it happen.
When I write, it's like choosing which shoes I'm going to put on. More often than not, my lyrics are personal - but I sometimes have to put myself in other people's shoes.
It's really fun to put yourself into a character - into shoes you wouldn't normally be in.
Because I'm highly empathetic, it's easy for me to put myself in the character's shoes. It's, you know, finding the truth of the moment.
On the last day of every character I've ever played, I lay the clothes out on the floor with the shoes and socks, so that it looks like the character has literally vanished. That's the way you have to leave them.
Any character, for me, always comes together in the hair, makeup, and wardrobe. Shoes especially. For some reason, shoes really do it for me because they help me figure out how the character walks.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
I really want readers to put themselves into the shoes of each character. So the opening lines are an orienting technique: this is where you are, this is who you are. Go.
I'm an ardent fan. All I really had to do was put myself in my own shoes.
When I spend money on myself, it's almost always on shoes and clothes. I'm addicted to shoes. I always have been, since I was a kid. When I was young, I could never get the shoes I really wanted.
As an actor, you have to be able to put yourself into the character since your job is literally making the character and the situation he is in believable.
I perfectly understand the obsession with shoes. I myself am pretty obsessed. I have a few hundred pairs of shoes in general, because I've been collecting shoes for a long time.
I really had no great love for shoes. I was a working First Lady; I was always in canvas shoes. I did nurture the shoes industry of the Philippines, and so every time there was a shoe fair, I would receive a pair of shoes as a token of gratitude.
The actor's job is to put themselves in the shoes of the character they are trying to portray as truthfully as possible.
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