A Quote by Ruth Rendell
It makes me actually quite angry to think about people writing about torture with a sort of relish. Horrible.
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Body-shaming is something I feel really strongly about. I think about my niece, I think about my friends who have daughters being on the Internet and reading these things, and it just makes me furious. It makes me so angry.
I like torture. Torture is photogenic. If you make horror movies, you always have to think what's photogenic and what's not. If you stay home with the candlelight and you read a book, Rilke, or whatever, or Sigmund Freud, it's boring. But if you watch Udo Kier in a horror film and people are hunting me and trying to kill me, and there's my love interest with big breasts and beautiful hair, and I believe in her and they kill me at the end, that's more interesting. We're talking about films here. We're not talking about writing stories.
I like sex writing that makes me think, makes me cringe, makes me angry, makes me look at it in a new way.
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. Most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
For years in football I was angry with the game, angry with pundits and, a lot of the time, angry with the journalists writing about me. All that changed when I got my break in movies.
I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
Americans think they're the leader of the world and yet can say that they're putting their economic interests ahead of the lives of - quite possibly - tens of millions of people who over the next 50 years will die because of floods or storms or tropical diseases or whatever. I guess that sort of thing makes me angry.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
Every comedian is furious. Age makes me angry. I'm unhappy at not being able to open packages anymore. I'm angry that libraries have gone. I hate children on planes. I'm very shallow, so they tend to be little things. To be honest, I think I was probably angry the day I was born, you know, about diapers or something.
The very thing about people that makes the human race interesting is also the thing that makes it so hard to get anything done without the most horrible confusions: no two people think exactly the same way about anything.
I listen to all of my Dutch happy-hardcore songs from my raving techno days when I was about 14. It's the most horrible music ever. I think it's some kind of muscle memory that brings me back to when I was 14. It makes me bounce around the gym quite happily.
You either hear the story and you're curious, and you're sort of sympathetic, or you think, "Ugh, how horrible." That's dehumanizing. How about we take that and turn Christine Chubbuck into a person and it's not about the final act, it's about her life. I felt that really strongly, and I felt a sort of deep sympathy with her. It's also why I do what I do. I want to try to make difficult people somehow relatable.
I think the thing I had to be careful about while writing a book was not to say anything that was revealing about other people that they would be uncomfortable with. I didn't want to make people angry - that's a real risk.
I just really want to put the past behind me, because it makes me angry thinking about it. But it's also the reason I've made it this far in my career. It's like, built up in me. It's what I think about when I fight. My childhood.
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