A Quote by Ruth Rendell

I have had quite a lot of prizes, but I don't think it makes any difference to the ease or difficulty to the writing process. — © Ruth Rendell
I have had quite a lot of prizes, but I don't think it makes any difference to the ease or difficulty to the writing process.
I think writing is really a process of communication. . . . It's the sense of being in contact with people who are part of a particular audience that really makes a difference to me in writing.
Whether I am writing about a man or woman makes no difference in terms of difficulty.
It is not ease, but effort-not facility, but difficulty, makes men. There is, perhaps, no station in life in which difficulties have not to be encountered and overcome before any decided measure of success can be achieved.
Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
Writing is a lonely job. Having someone who believes in you makes a lot if difference. They don't have to makes speeches. Just believing is usually enough.
Our admiration of fine writing will always be in proportion to its real difficulty and its apparent ease.
I haven't had trouble with writer's block. I think it's because my process involves writing very badly. My first drafts are filled with lurching, cliched writing, outright flailing around. Writing that doesn't have a good voice or any voice. But then there will be good moments.
In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly. My first drafts are filled with lurching, clichéd writing, outright flailing around. Writing that doesn’t have a good voice or any voice. But then there will be good moments. It seems writer’s block is often a dislike of writing badly and waiting for writing better to happen.
Before my commercial success, I had difficulty doing what I wanted, but my sincere short films always won prizes in festivals. So I was ready for larger successes.
I had a certain career as an actor that I think was quite personal as well, and had a lot of integrity, but I wasn't writing my own things or directing my own movies.
I don't think there's any essential difference, at least for me, between writing poetry and writing prose.
A lot of people think if you just had more process and more compliance -- checks and doublechecks and so forth -- you could create a better result in the world. Well, Berkshire has had practically no process. We had hardly any internal auditing until they forced it on us. We just try to operate in a seamless web of deserved trust and be careful whom we trust.
Lyric writing is an interesting process in Sonic Youth. There's three people writing now, and we've all had a lot of interest and involvement with expression through words
Lyric writing is an interesting process in Sonic Youth. There's three people writing now, and we've all had a lot of interest and involvement with expression through words.
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