A Quote by Ruth Rendell

You don't knock television, even if you don't always like what they make of your work. It makes all the difference between being an also-ran writer and very famous. — © Ruth Rendell
You don't knock television, even if you don't always like what they make of your work. It makes all the difference between being an also-ran writer and very famous.
This whole celebrity-fame thing is interesting. I'm the same person I always was. The only difference between being famous and not being famous is that people know who you are.
The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous. You know, my fantasy of being a famous writer, and again there's a slight disconnect with reality which happens a lot with me. I imagined being a famous writer would be like being like Jane Austen.
There are lots of similarities between being a writer and a lawyer: to tell a story to a jury, hold their attention, make them laugh, make them like you. But what makes being a barrister less satisfying than being a writer is, finally, that it's about what someone else wants you to say.
The children's writer not only makes a satisfactory connection between [the writer's] present maturity and his past childhood, he also does the same for his child-characters in reverse - makes the connection between their present childhood and their future maturity. That their maturity is never visibly achieved makes no difference; the promise of it is there.
The difference between being a part-time writer and a full-time writer is like the difference between dating someone and living with them. Some of the romance is gone, but you learn things you'd never know just by dating.
Every day, there'd be somebody interviewing me as a "lesbian living in Russia." It got to the point where I would joke that I now have two jobs. I work as a writer and a journalist, and I also work as a lesbian. There's a big difference between being out and having that be your sole identity, the only reason that someone is talking to you. My twelve-year-old daughter said, "I have a new job as well. I work as the daughter of a lesbian," because she was also giving all these interviews.
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not work those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not knock those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
Being famous as a writer is like being famous in a village. It's not really any very heady fame.
Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there's a big difference between being a writer and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. You've got to want to write, I say to them, not want to be a writer. The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.
It is not just that we exist and God has always existed, it is also that God necessarily exists in an infinitely better, stronger, more excellent way. The difference between God's being and ours is more than the difference between the sun and a candle, more than the difference between the ocean and a raindrop... God's being is qualitatively different.
I've always looked very closely at people, and seen a lot; that was true even when I was a kid. That's what made me a good domme, but it's also what makes me well suited to being a writer, and a teacher.
Television has filled the space for actors that really want to make good work and not just make a lot of money and be famous for making a lot of money and being famous.
The difference between writing a book and being on television is the difference between conceiving a child and having a baby made in a test tube.
I was always told to avoid being famous just for being famous. That's something that has always stuck in my mind. I like to work. It helps if you like what you do.
Ratings to me are a little like the Chinese Government. I don't fully understand what makes a rating go. I don't know what makes the American television audience respond to one person and not t another. There very seldom are great differences between many television personalities.
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