A Quote by Ruth Rendell
I go to the House of Lords in the afternoon and try to walk halfway. I may be thinking about what I'm going to write. It's much more satisfying than sitting in a chair.
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I don't believe in the hereditary principle in the House of Lords. Imagine going to the dentist, sitting in the chair and he says, 'I'm not a dentist myself, but my father was a dentist and his father before him. Now, open wide!
That's what makes it so fun to be on a team. You're sitting at your house, thinking up this wild, crazy stuff as to how it's going to go, and the other guys are sitting at their houses doing the same thing.
This past Thanksgiving, my father was at the farm, and I had all 11 dogs in the house with a father who never allowed dogs in the house. And he got up to leave the table and came back and Solomon was in his chair. And he says, "This dog is in my chair." And I said, "It's the other way around, you're sitting in his chair."
I write from seven to about noon. I used to try to write longer, but I read and I found that I was always getting myself tired by working in the afternoon and then I was just throwing out what I wrote in the afternoon, so writing then was counterproductive.
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
With a novel, you have to have a story. It's much more important to have it matter to the reader what happens to people, and it has to make sense and end in a way that is satisfying. So I spend a lot more time thinking about that. Then the writing itself usually is easier for me, because I know where it's going.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
When I step on that basketball court, I'm thinking about basketball, I'm thinking about winning - but there's so much that goes into thought about how I'm going to open this game up to others. It's so much more than just basketball.
I learned the importance of a man's chair early in life. I learned that he may love several wives, embrace several cars, be true to more than one political philosophy, and be equally committed to several careers, but he will have only one comfortable chair in his life. I learned it will be an ugly chair. It will match nothing in the entire house. It will never wear out.
It is quite clear from what has been said and written that, time after time after time, there has been a conspiracy between the Conservative Front Bench in this House and the inbuilt Conservative majority in the House of Lords to defeat legislation that has passed through the House of Commons... I warn the House of Lords of the consequences... it is our strong view that the House of Lords should recall that its role is not that of a wrecking chamber, but of a revising chamber. In recent weeks, it has been wrecking legislation passed by this House.
I'm glad I took the leap away from acting into going behind the camera because it's much more satisfying - I love acting and I still do, but it's much more satisfying to be able to make the stuff.
I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language.
I try to write very fast. I don't revise very much. I write the poem in one sitting. Just let it rip. It's usually over in twenty to forty minutes. I'll go back and tinker with a word or two, change a line for some metrical reason weeks later, but I try to get the whole thing just done.
My biggest fear isn't crashing this bike at 85mph and losing my skin - it's sitting in a chair at 90 and thinking 'I wish I'd done more'
When I'm sitting around, I'm thinking about how I can make my next professional career move, but more than anything, I'm thinking about the meaning of life and how fleeting it is.
It wasn't a leap for me to go from not wanting to be in my body as a teenager, not wanting to be in my house, to thinking, 'What would happen if I had disappeared?' And then going from writing scenes of angry kids to thinking a little more about the parents and what their lives would be like.
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