A Quote by Ruth Warrick
I do like to shock and surprise people. When it's all in good fun, of course.
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I don't like the phrase shock value. Surprise is essential in comedy, and if people are shocked by what I consider merely surprising, then that's their shock. But there is no joke without surprise.
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
I think it's part of the responsibility of an artist to shock, to upset, to make people think differently, and to surprise people. And that's where the good humor is, if there's a surprise and there's something unexpected. Something that's not normal, not in the realm of general living expectations.
Humor is based on surprise, and surprise is a milder way of saying shock. It's surprise that makes the joke.
It isn't enough to shock. It's easy to shock. Real surprise is what I'm after.
I used to have costumed characters come out, like SpongeBob. It's just fun to make it into this minor event, just to surprise people and experiment and be weird and just have fun with it. I've done just the hour stand-up, and that's fun, but the other stuff makes it fun for me and gives me something to react to and bounce off of.
Now, some people do this for shock value. Shock is just another uptown word for surprise. Granted it has a different quality to it, but a joke is about surprising someone. I'm a great believer in context. You can joke about anything. I do like finding out where the line is drawn, deliberately crossing it and bringing some of them with me across the line, and having them be happy that I did.
I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.
I'm very fun; I like to have fun, and I don't like to take life too serious, so of course everybody saw me as the outgoing fun one and the crazy one.
Even though I'd been invited to the combine, I didn't test particularly well. That didn't really surprise me, I had I no expectation that I'd shock people with an insane 40 time. But I knew things weren't looking good when I started getting asked a lot of questions about the size of my hands.
When I say that a good picture has surprise quality or shock appeal, I do not mean that it is a loud or vulgar picture but, instead, that it stimulates my thinking and intrigues me.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
An important part of any good mystery story like 'Original Sin' is that it's not just a game of 'Clue' with surprise after surprise after surprise, but the goal is to tell a story in the midst of that. Even once you know the solution to the mysteries, it's far from the whole story.
Prayer adds an element of surprise to your life that is more fun than a surprise party or surprise gift or surprise romance. In fact, prayer turns life into a party, into a gift, into a romance.
I think for a horror experience to be really scary, something has to be a bit of a shock and a surprise. It's like something you've never experienced before.
The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is 'How do you continue to surprise the audience, but make them good surprises?' Not every surprise is good, but you want to continue jolting people.
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