A Quote by Ruth Wilson
In Britain, we haven't got enough money to make these long-running shows. We always do little mini ones. You have more control as an actor over what you want to do with it. On these you drive yourself mad trying to know what's going to happen, because the writers don't.
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When you know that something's going to happen, you'll start trying to see signs of its approach in just about everything. Always try to remember that most of the things that happen in this world aren't signs. They happen because they happen, and their only real significance lies in normal cause and effect. You'll drive yourself crazy if you start trying to pry the meaning out of every gust of wind or rain squall. I'm not denying that there might actually be a few signs that you won't want to miss. Knowing the difference is the tricky part.
Because I want to see. I've got to know what's going to happen while I'm still enough in control to be able to do something about it.
Shooting films in Britain is always difficult, because we've never got enough money to make them.
I know a dramatic role is going to happen, but you just got to be patient, you know? It's going to happen when it's supposed to happen. I'm not rushing it. I'm not trying to make it happen tomorrow.
As soon as you start making a film that's expensive then the studio wants total control over all elements of it because they want to get all their money back. If you make a smaller film you can try a lot more things because you can have control over it and not just be a hired director. The lower the budget the more freedom you have.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
As an actor, you are sort of only in charge of yourself. All you can really control is your performance. You don't know what they're going to do with it in the editing room, what they're going to cut out, which take they're going to use. You know, your control is very limited. As a director, it's ultimately your piece. You have a lot more responsibility, but you also have a lot more creative control. It's scary, but also liberating in a way.
My mother and I were on welfare and food stamps until I was 18, so I've always had this ethos of, like, 'try and make a little bit of money now because you don't know what's going to happen tomorrow.'
Look, as long as we can make records and sell enough so we can do some shows, that's all I want. You know what? I just want to play guitar and be in a band. Same as I always did.
I was going to shave it. It went in two parts. I got a bob first but it kept falling all over my face. Then it was off, short. The main reason it was long was because my mother cut it short when I was little and I was trying to make up for that.
Republicans are going to have to ask themselves the question, do we want a candidate who could be tied up in court for two years? It'd be a very precarious one for Republicans because he'd be running, and the courts may take a long time to make a decision. You don't want to be running and have that kind of thing hanging over your head.
You are [as an actor] aware that you don't want to repeat stuff, but you want to use what has worked. But you don't want to be accused of just going over the old thing, you know? You want it to start growing a little bit more.
You've got to trust people. And because I am a control freak, sometimes that's difficult for me, because I want to micro-manage absolutely everything. I can't hand over. But I'm trying to do that more.
A long time ago, I made a promise to myself: "Okay, you know what? I'm going to play music, and hopefully I'll make enough money that I can go back to school. Once I make enough money to put myself through school, that's what I'm going to do."
You never want to be in a defensive mode or have a defensive mindset. You always want to know that you're in control as the pitcher, you make him get hits, you're never passive, always aggressive. If I get beat, I want it to be because I got rocked, got hit hard, never because I walked a couple of guys and before you know it.
The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over. One of the greatest reasons is that it keeps stretching you as an actor. So, hopefully, my method is that it makes me a better actor, and a more believable actor, so then, the more experience I have in any way possible, in a drama or a musical genre, different formats of working, the better I can be on all different platforms.
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