A Quote by Ruth Wilson

I'm drawn to damaged, complicated characters. — © Ruth Wilson
I'm drawn to damaged, complicated characters.
I am really drawn to damaged characters, and I have a lot of sympathy for them. Making those complicated characters empathetic is something to strive for. It's too easy to create a good guy or a good girl.
I'm drawn to emotionally damaged characters because there is more to unlock.
My characters are always unlucky in love. It's annoying, but perhaps there is something in me that is suited to characters that have a darkness. Maybe it's why I play such damaged people when I'm not particularly damaged myself, I would say.
When complicated characters aren't well drawn, they're boring.
I have a real pet peeve for women who play damaged characters but don't look damaged.
I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
I believe strongly that characters are five-dimensional, and they're complicated, and life is complicated, and people are complicated.
I'm drawn to people who share that sense of loss. All actors are trying to repair damaged relationships. I think that might be why I've been drawn to other actors.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
I'm not drawn to stories that are just sort of fluffy. I'm just not, and I've tried to, and as a kid I was never drawn to them. I always chose complicated.
I'm drawn to provocative characters that find themselves in extreme situations. And I think I'm drawn to that consistently.
She was drawn to damaged souls like a moth to a flame.
I am drawn to characters that go on journeys, characters that are real people, that have life.
How does one craft happiness out of something as important, as complicated, as unrepeatable and as easily damaged as life?
I'm drawn to female characters; not all of them are strong characters.
The most fun characters to work with are characters that are complicated.
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