A Quote by Ruth Wilson
I tend to make bolder and more interesting choices after I've done theatre.
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People often say that having a family makes you make safer choices. It's been the total opposite for me. It's really made me want to make bolder choices.
A well-chosen complication should give you choices. Juggling choices for your characters is what makes writing fun, after all. If you discover that you're struggling more than you ought to with a draft, perhaps you've run out of interesting choices, or have given yourself too few choices to begin with. Go back to the complication, fatten it up, and start over.
The fact that you've got zombies in this movie allows you to make slightly bolder choices tonally.
When we generally make healthy choices about food (or wise choices about life), we tend to move in the right direction, living as we believe God wants us to live. If we make an intentional exception for a special treat or for a diversion, that might not be a big deal. But if we step off the best path, we're tempted to detour into more unwise choices. In that case, your decision does matter.
Yeah, we could have done things differently. But - If we'd done things differently, we wouldn't be who we are. We are the sum of the choices we make. Even the bad choices we make. I made a lot of bad choices, but on the other hand, I am who I am, and I'm proud of my work, and I'm proud of my family, and those are also the product of choices, including financial choices, that I made.
If you're creating your character, you can have full ownership of the emotional range they go through. You can make bolder choices.
I'm not averse to earning someone; in fact I'd love to earn some money. But also my choices of movies don't tend to make money but I get to make interesting films. But it doesn't mean I don't want to earn shitloads of cash.
People of poor character tend to blame their choices on circumstances. Ethical people make good choices regardless of circumstances. If they make enough good choices, they begin to create better conditions for themselves.
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
Californians tend to be outspoken. When the great migration began, the more timid people must have stayed home, and the bolder ones headed west.
I haven't done as many films as I would have liked. A lot of my contemporaries have done more. I don't have 'I will be a movie star' emblazoned on anything, but I'd like do a bit more screen stuff and then when the time is right come back to theatre. When it is good, theatre takes a lot of beating both to watch and perform.
Choices. We all make them, sometimes more than once. Sometimes it's the choices we make over and over that define us, but more often it's the choices we don't make.
In many ways, theatre is more rewarding for a writer. I used to think it was like painting a wall - that when the play is finished, it's done - but now I realise it's more like gardening; you plant the thing, then you have to constantly tend it. You're part of a thing that's living.
I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
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