A Quote by Ruth Wilson

I don't know about writing. It's quite lonely. You have to have a lot of patience with yourself. I don't know if I could do that. But I'd love to direct again. — © Ruth Wilson
I don't know about writing. It's quite lonely. You have to have a lot of patience with yourself. I don't know if I could do that. But I'd love to direct again.
I don't know about writing. It's quite lonely. You have to have a lot of patience with yourself.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
People a lot of times say that you know it must be hard to direct yourself. That's a myth. It's easier to direct yourself. There's no middle man, you know.
I know that I put a lot into 'Hereditary', and I'm proud of what it is. Beyond the fact that the film takes its time and asks for a certain amount of patience from the audience - and I hope it rewards that patience by the end - I know that I'm something of an aesthete. I care about aesthetics, and I love filmmaking.
I know. I know that I shall never again meet anything or anybody who will inspire me with passion. You know, it's quite a job starting to love somebody. You have to have energy, generosity, blindness. There is even a moment, in the very beginning, when you have to jump across a precipice: if you think about it you don't do it. I know I'll never jump again.
I'm very interested in religion and different religions, and I know quite a lot about it. I love gospel music, and I love going to churches, but the one drawback is that I don't actually believe in God. And it is quite a handicap, you know.
You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
What I love about drafts is the experimental nature of them. The draft is what you know about writing a poem running up against what you don't know about the subject. If you're lucky, you get to surprise yourself.
Every business I don't know, if I spend enough time - a couple of months - I will know a lot. I know quite a lot about football now. I know the value of players, and we won't do stupid things.
I love what I know about passion, I love what I know about mercy, I love what I know about patience, I love what I know about soul, and I know you.
Well, I know about loneliness. I won't talk about it, but I was very lonely after the war. I know what it feels like to spend a whole weekend all by yourself and no one wants you at all.
I don't think I've seen that sort of character in a long time in this genre because again, there was a time when you could have quirky, strange characters that you grew to love, you didn't quite understand, you know, and then all of a sudden they became almost cardboard cutouts for awhile. You kind of know the guy, what his deal is - this guy's hard to figure out. He has some strange habits, but, you learn to love him and you discover more about him, where it comes from.
I feel a lot of pressure when I'm writing because I know, you know, if they looked at a synopsis of the book, what they read could only confirm all the stereotypes that they have about us and about people like us.
I don't know if there's a lot of patience anymore. I think that could serve a lot of people.
I do want to work on writing, because writing's a skill. Writing is something that you can train yourself to know better. To know yourself better. And it's intimidating as hell.
When you first start writing-and I think it's true for a lot of beginning writers-you're scared to death that if you don't get that sentence right that minute it's never going to show up again. And it isn't. But it doesn't matter-another one will, and it'll probably be better. And I don't mind writing badly for a couple of days because I know I can fix it-and fix it again and again and again, and it will be better.
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