A Quote by Ruth Wilson

People don't know what goes on in my private life, so they have to make conjecture from something that is photographed. — © Ruth Wilson
People don't know what goes on in my private life, so they have to make conjecture from something that is photographed.
You can't control the paparazzi. But if you go to Coachella you're going to get photographed. Whereas if you're at home, walking down the street you probably won't. It's something I've learnt to navigate my way around but I try to keep my private life private.
If you don't want to have your private life splashed everywhere, why go to the restaurants and the places you know you're going to be photographed?
People don't know very much about me. They do not know what really goes on in my private life.
Conjecture as to things useful, is good; but conjecture as to what it would be useless to know, is very idle.
I'm a very private person. Very private. You know, I've lived my entire life in a fishbowl, so it was important for me to keep my personal life private because people can't talk about what they don't know.
The people who know me know I'm extremely private or try and be as private as I can with my personal life.
People speculate on your personal life all the time anyway. So I just think it's important to keep my private life private and my public persona more into music, you know?
I have always seen myself as an athlete. Of course, I made the mistake of unintentionally opening the door to my private life by just a crack. I wouldn't do the same thing again. It has to be accepted that my private life is private, and if that isn't the case, I have to do something about it.
Everybody liked better to conjecture how the thing was, than simply to know it; for conjecture soon became more confident than knowledge, and had a more liberal allowance for the incompatible.
I have kept diaries, of course, but they can't be read for quite a long time. I'm always curious about people who are fascinated by writers' lives. It seems to me that we're always in our books, quite nakedly. I wonder, too, does the private life really matter? Who cares what is known about you and what isn't? Even when you make public something that's been private, most people don't get it - not unless they're the same generation and have gone through more or less the same experiences. So, in a sense, we're all private, by definition.
I think people kind of know me, although I am pretty private when it comes to my private life.
When I'm on a plane, people know where I'm going before I even know where I'm going. People know where you had lunch yesterday, or who you had lunch with. So, trying to avoid sharing everything with everyone is my way of keeping something private in my life.
When I was photographed, I didn't feel I was acting. I just felt I was being photographed. It sort of taught me things about myself that I didn't know and was trying to find out.
The classes of problems which are respectively known and not known to have good algorithms are of great theoretical interest. [...] I conjecture that there is no good algorithm for the traveling salesman problem. My reasons are the same as for any mathematical conjecture: (1) It is a legitimate mathematical possibility, and (2) I do not know.
Sometimes, when you roll out of bed, you don't want to be photographed by the paparazzi. Usually you like to know when you're being photographed. I've learnt that, as a public figure, you have to up your game and be prepared. Ideally, you try not to roll out of bed without brushing your hair - just chuck a brush through it, make a little effort.
The agnostic does not simply say, "l do not know." He goes another step, and he says, with great emphasis, that you do not know. He insists that you are trading on the ignorance of others, and on the fear of others. He is not satisfied with saying that you do not know, -- he demonstrates that you do not know, and he drives you from the field of fact -- he drives you from the realm of reason -- he drives you from the light, into the darkness of conjecture -- into the world of dreams and shadows, and he compels you to say, at last, that your faith has no foundation in fact.
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