A Quote by Rutina Wesley

When I studied at Juilliard, I did a lot of pushups and became this diesel machine. I was really big and was like, 'This is not a good look for an ingenue.' — © Rutina Wesley
When I studied at Juilliard, I did a lot of pushups and became this diesel machine. I was really big and was like, 'This is not a good look for an ingenue.'
When we got quite big and were generating a lot of money through the arenas, we became quite a big thing, and a lot of managers appeared, and it became a big machine, like we were in Pink Floyd or something, and I don't think we were into that. We didn't really compromise.
When I first moved to London for university, I was already a big fan of Diesel because, in the nineties, Diesel was, like, the brand. The stores were the place to go. It wasn't workwear like Levi's or G-Star.
Football was everything to me. There was the physical aspect, sure. I did pushups and sit-ups every night, even as a kid. But I also just studied the game constantly. It was my life.
I just didn't really know who I was, so I didn't really know what I sounded like. And so I did a lot of writing, and I studied abroad, and I fell in love, and, like... I got to be like any other college student.
During my childhood, I played just about every sport imaginable, which became less feasible at Juilliard... Although I remember our annual dodge-ball game as a highlight. The Juilliard 'Fighting Penguins' are a force to be reckoned with.
For me, lipstick itself is an accessory. I like red, but I really have to be in the mood for it because it makes my lips look really big. I usually will match it with my outfit. I also love a good lip liner - I'm telling you, when I put on the lip liner, it just makes them look even better. I'll do everything. I want big, big, big.
If you have a lawyer, sometimes you can get out of trouble. I've gotten into a lot of trouble because I didn't have a lawyer. I've also had some bad lawyers, too. But the good ones, the ones I liked, they became me. They became whatever situation I was involved in. When I felt pain, so did they. When I succeeded, so did they. They became me. They became whatever the situation was that they became involved with.
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
When I turned 50, I threw myself a big birthday party, and I looked seriously at what my life has been about. I recommend this to everybody. Ask yourself, "What have I done? How did I do it? Where'd I mess up? Where did I do well?" When I did this assessment of my life, I said to myself, "It was really good." I made a lot of people laugh, made a lot of people cry in a good way, brought a lot of joy to people, picked up a lot of garbage. And in all those years, I saw a lot. I went to foreign lands. I met interesting people. And I got it!
They did cast me as an ingenue once, and the novelty was nice. But I said, 'There is nothing here to play!' I really like getting into the meat of a role.
I got myself good this morning too. I did my pushups in the nude, I didn't see the mouse trap.
A lot of stand-up specials for cable are meant to glorify the comedian. They put you in a really beautiful theater, and sometimes they even blow a little smoke in there to make it misty and sweet. They make the guy look like he's a big rock star. But comedy's not really glamorous. It doesn't enhance comedy for it to look good.
Tips like that. Wearing necklaces, knowing how to layer, wearing a statement piece. Don't wear big earrings and a big necklace and a big ring all at the same time. Pick your magic. I have this whole thing: if you look good, you feel good, and if you feel good, you look good.
It's such hard work doing a musical. I did my first musical last year, performing in The Producers, and it was a big part to suddenly be doing Leo Bloom in that. It's such hard work. It's a proper slog. It became like clocking in. And it's a big factory - you go in, everyone's got their little plot, people are taking in and out of it if they have days off or holidays, and it's just a jigsaw that all works. It always amazes me that this product would happen every night and it was just all these elements coming together in a big machine.
Like it or not, Jesse Ventura is a Navy SEAL. He did the pushups and put up with the cold water, just like the rest of us.
When everyone is running the machine, and it's all working, there's a tendency to look at the short term and focus on incremental opportunities and not look ahead to the really big opportunities.
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