A Quote by Rutina Wesley
I'm all about the crossover. The role doesn't necessarily have to be white or Latina or black. It could be anything. But it's hard in Hollywood, because sometimes it's all about the box office. Or all about looks and things like that. It's not about the story that they have to tell.
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The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
I don't think it is about talent or looks, it is primarily about box office success.
And it's not just black people. That's the other thing about this issue, it's conflated with just black and white and it's not that at all. It's diversity, it's something that looks more like the landscape of the country. And it's not about then we get the statues we deserve, it's not that. It's that everyone should be able to participate in this silly contest, which is how I feel about it.
Black Box is not a statement about injustice committed against Sephardi Oriental Jews or about the extremism of religious Jews or the lack of imagination of the old Israeli elites. It's a human story, in my view, first and foremost about a mystical communion between enemies. This is the inner story of the novel. This is my business as a novelist. It is not about positions and ideas.
Well, this is a story about books." About books?" About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind." You talk like the jacket blurb of a Victorian novel, Daniel." That's probably because I work in a bookshop and I've seen too many. But this is a true story.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
Audiences want great story telling; it's why white people watch my show 'Black in America.' It's why black people watch 'Latina in America.' All of that is statistically shown and proven but it was because it was good story telling about people who were outsiders.
What excites me about picture books is the gap between pictures and words. Sometimes the pictures can tell a slightly different story or tell more about the story, about how someone is thinking or feeling.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
Let's be very honest about what this is about. It's not about bashing Democrats, it's not about taxes, they have no idea what the Boston tea party was about, they don't know their history at all. This is about hating a black man in the White House. This is racism straight up.
Because I come from that old-school optics environment, I know stuff about depth of field and camera movement and things that are not necessarily a part of the curriculum for people who started on a box and have never done anything that wasn't on a box.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
The norm is white, apparently, in the view of people who see things in that way. For them, the only reason you would introduce a black character is to introduce this kind of abnormality. Usually, it's because you're telling a story about racism or at least about race.
It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.
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