A Quote by Rutina Wesley

I love to be a vessel through which characters can come through. And if I can move an audience with my work, then I've done my job. — © Rutina Wesley
I love to be a vessel through which characters can come through. And if I can move an audience with my work, then I've done my job.
Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.
Let us settle ourselves, and work and wedge our feet downwards through the mud and slush of opinion and tradition, and pride and prejudice, appearance and delusion, through the alluvium which covers the globe, through poetry and philosophy and religion, through church and state, through Paris and London, through New York and Boston and Concord, till we come to a hard bottom that rocks in place which we can call reality and say, "This is and no mistake.
Each nation has its own peculiar method of work. Some work through politics, some through social reforms, some through other lines. With us, religion is the only ground along which we can move.
If I helped you through something or if I helped you find love or if I helped you find a way through heartbreak or whatever it is, then my job is done, and that's what I want to leave behind in this world.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
I love characters who can rile an audience so much - it means you've done your job well.
I love skating. I love the speed, the power, the excitement, the feeling that --- even for just a moment --- I can defy gravity and fly through the air. And I love the way that a great skating performance, like any work of art, can move an audience to laughter or tears.
I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.
The water vessel, taken as a vessel only, raises the question, "Why does it exist at all?" Through its fitness of construction, it offers the apology for its existence. But where it is a work of beauty it has no question to answer; it has nothing to do, but to be.
I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
It doen't matter what you've been through, where you come from... none of that matters. What matters is how you choose to love, how you choose to express that love through your work, through your family, through what you have to give to the world.
There is no formula for generating the authentic warmth of love...Everyone has love, but it can only come out when he is convinced of the impossibility and frustration of trying to love himself. This conviction will not come through condemnations, through hating oneself, through calling self-love bad names in the universe. It comes only in the awareness that one has no self to love.
I know playwrights who like to kid themselves into saying that their characters are so well formed that they just take over. They determine the structure of the play. By which is meant, I suspect, only that the unconscious mind has done its work so thoroughly that the play just has to be filtered through the conscious mind. But there's work to be done - and discovery to be made.
When it's all said and done, you may go through the fire, through the flood, through the famine, but you'll come out standing strong.
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