A Quote by Ry Cooder

Musicians are not so concerned with language. — © Ry Cooder
Musicians are not so concerned with language.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
One of the most encouraging things is to see that so many of these young musicians and worship leaders are really concerned with doing a good job representing the truth of Jesus in their songs, and not just concerned with creative and musical progression.
We're very concerned with language and how language works. We're trying to engage people rather than dictate how they should be thinking.
If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.
Ah," said Mr Pin. "Right. I remember. You are concerned citizens." He knew about concerned citizens. Wherever they were, they all spoke the same private language, where 'traditional values' meant 'hang someone'.
The vibrations on the air are the breath of God speaking to man's soul. Music is the language of God. We musicians are as close to God as man can be. We hear his voice, we read his lips, we give birth to the children of God, who sing his praise. That's what musicians are.
Writing engenders in us certain attitudes toward language. It encourages us to take words for granted. Writing has enabled us to store vast quantities of words indefinitely. This is advantageous on the one hand but dangerous on the other. The result is that we have developed a kind of false security where language is concerned, and our sensitivity to language has deteriorated. And we have become in proportion insensitive to silence.
Musicians can travel all over the world and have an audience, because there's no language barrier.
One must not be shy where language is concerned.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
We are concerned with things. We are concerned with success. We are concerned with money. We are concerned with instrumentalities.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
I'm a huge fan of Chennai - the culture, the musicians, the audience... Language is not a barrier. It is all about the emotion in the music.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
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