A Quote by Ry Cooder

I'm not interested in making folkloric records, but I like to push the traditional format around so that familiar patterns get knocked on the head. — © Ry Cooder
I'm not interested in making folkloric records, but I like to push the traditional format around so that familiar patterns get knocked on the head.
You're a defensive lineman, you get knocked around from all different angles. I've been knocked around like a pinball quite a few times.
For 'The Anthem,' a lot of my fans were like 'Oh, man, he's getting lazy making just, like, a pop format tune that everyone's doing these days.' But on this album, I wanted to write songs with vocals that would get stuck in my head, not just movements of instrumentals.
I don't sell millions of records. As a matter of fact, I'm not even interested in selling millions of records. I enjoy MCing. I make a decent amount of money. I can feed my kids. I keep a roof over my head. I don't have to sell a million records to maintain my lifestyle.
Your thoughts construct patterns like scaffolding in your mind. You are really etching chemical patterns. In most cases, people get stuck in those patterns, just like grooves in a record, and they never get out of them.
There are only patterns. Patterns on top of patterns, patterns that affect other patterns, patterns hidden by patterns, patterns within patterns.
The traditional country music stays because it's such an all-around good format and it's fun to write songs like 'Oh Susannah.' I just feel along with that you gotta talk about what's going on today.
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
Tokyo in the late 1960s seemed to be like one of the futures that science fiction presents. Here was the proto- super-technology of the future, electronically, robotically, blahblahblah, intercut with traditional Japanese cultural patterns, Shinto patterns.
Being a guy who was a geek with tape machines in the early days and really interested in how records get made, I was inspired in particular by how the Beatles were innovating when they were making those records late in their career while using the studio in a maximal way.
I'm not interested in artistic records for the sake of making artistic records where they're so cool no one listens to them.
If you learn life's lessons, you will do well. If not, life will just continue to push you around. People do two things. Some just let life push them around. Others get angry and push back. But they push back against their boss, or their job, or their husband or wife. They do not know it's life that's pushing.
I've never seen a truly great fighter get knocked onto the ropes unconscious... knocked out cold before... and I saw Roy Jones get knocked out twice in a row.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
When I was working on 'To Pimp A Butterfly' and 'DAMN.,' I'm really making music for Kendrick. It's a different mindset than when I'm making music for me. I'm trying to get into his head and figure out what he wants because it's his vision. That's what I expect from people when they're playing on my records.
People will always have the desire to make rock and roll records, and they'll always have the desire to sell rock and roll records. Most of the people making these records do it because it is a business, and if someone says, "You can't do this", they won't complain. They'll just keep making records, but they'll get blander and blander. There'll still be rock and roll, but compared to what it really could be or ought to be, I don't think it'll be all that terrific.
We don't work in the traditional TV format where we're like writing concurrently to shooting. Like, we really view it as a large feature film.
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