A Quote by Ry Cooder

That's what records do: represent a compressed, heightened version of the sound. Because of the compression of the tubes and microphones and the wax, it's magic!
For the records I've work on over the last 10 years, I get sent the really compressed version and the non-compressed version, and oftentimes you end up going with the more compressed one because it's what people's ears are attuned to. I think the bigger problem is saturation and people being desensitized.
It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.
I hate the sound of my own voice. It's just up there, sort of naked and exposed. Live is hard, because on my records, I play almost everything on a lot of stuff. In a live situation, I can't control everything. I use two different microphones. One is just clean, traditional sound, and the other one is basically a cheap cassette-recorder microphone that goes through a distortion box to emulate my voice on the record. That helps some.
Yo, you don't need nobody to represent you. You represent you. You represent the best version of who you could be. You go out there and change the world.
I'm not going for a soft sound. I ain't lookin' for a warm sound. My sound is warm, but I don't need tubes to do it. The Randall RG-100 is the best amp for what I do.
The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
It's not only the wealth of sounds in Omnisphere; You're struck by the fact that you hear magic sound after magic sound.
Compression is a necessary evil. The artists I know want to sound competitive. You don't want your track to sound quieter or wimpier by comparison. We've raised the bar and you can't really step back.
We try to talk when the microphones are on the same way we would when the microphones are off.
Let's get this out in the open once and for all. Here is how I feel about compression... Compression is for kids!!!!
I'm not a fan of plastic surgery. Oh, and I've never had a wax in my life. Waxing makes no sense to me because you have to grow it out to wax it.
I never want to go back and remix old records, either. If a record sounds shitty, that's just the sound it has. I just take it as part of the music. Some of my favorite bands - their old records sound terrible. But that's just part of the sound. If they were perfect, I'd probably hate them. Same thing with movies.
Such compression of large amounts of information into a few exformation-rich macrostates with small quantities of nominal information are not only intelligent: they are very beautiful: yes, even sexy. Seing a jumble of confused data and shreds of rote learning compressed into a concise, clear message can be a real turn-on.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
When I was eight, my pals and I went up to my bedroom, put on our party frocks and mimed to ABBA records using broom handles as microphones.
They say the best wrestling gimmicks are a heightened version of yourself and that's me!
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