A Quote by Ry Cooder
R&B and all that stuff was always very spare and spontaneous. Nobody made those records under solid gold situations. It was just in and out, and you didn't labor over the thing. I like music like that.
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Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
Well, the album 'Intuition' is out and just went platinum officially. So I think to have the music doing what it's doing right now, man, it's the ultimate. Nobody is really selling records out there but we are at a million records and we dropped it at Christmas, so we are just trying to get that thing to like two million, you know.
The music is just very specifically [designed] to get you energized. That's the great thing about those situations: I have no choice. It completely takes over your body and pushes you, like it was designed to do. I'm constantly surrounded by music, energy, and experiences that put me in that state of cheer.
People like to compartmentalise music, especially African-American music, but it's really one thing. One very wide thing. I mean, it's like all those great records by Marvin Gaye and James Brown back in the day - there are tonnes of jazz musicians playing on them.
I really just appreciate good jewelry, clarity, gold. I think gold is made for kings and pharaohs - that's what I am. That's why I rock gold and, you know, stuff like that.
I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.
I thought wasn't nobody supposed to get gold records except those people on Motown, like Smokey Robinson and Diana Ross.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
The obsession with gold, actually and politically, occurs among those who regard economics as a branch of morality. Gold is solid, gold is durable, gold is rare, gold is even (in certain very peculiar circumstances) convertible. To believe in thrift, solidity and soundness is to believe in some way in the properties of gold.
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
Writers have always liked my stuff, pretty much. That's what I wanted - I think my goal wasn't to get rich and famous, necessarily, though I cared about that. I always thought, "Oh, this could be a hit," or "that will sell records." But the first thing I wanted was that people who knew a lot about music, or had taste-making qualities, they would like my stuff. Writers, people like that.
All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been over my head. That's just the way I work best, you know. Like when you're studying for school you think, "I can only study when I have to study the night before." That kind of means you're lazy or you're a procrastinator, but for me with music it's a similar thing. It's like I've been over my head for most of my career so to speak.
A lot of people probably get the idea that I'm this extremely calculated kind of guy, and in a lot of ways, I am. But when it comes to music or artistic expression, I'm very uncalculated and do things very spontaneous. If I didn't do that, I wouldn't want to do this anymore. I can't just play the same thing over and over; it would drive me crazy.
I was a little boy who watched 'Solid Gold' every week and wanted to be a 'Solid Gold' dancer. And I would do very in-depth reenactments of 'Grease 2' and 'West Side Story' with my sister Natalie in our garage. I was a very theatrical kid.
Love yourself. Nobody's perfect. I mean, come on, nobody is perfect. Not you, not your mom, even the people on TV - nobody is perfect, and there's always something that nobody likes, but you know, you just accept that. Your imperfections make you beautiful. It's those things you find you don't like that someone else finds very special and very unique about you.
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
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