A Quote by Ry Cooder
'Geronimo' was a huge amount of work. That involved 80-piece orchestras and Indians and Tuvans and all kinds of crazy people on that thing. That's a real circus, that score.
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here's a huge amount of work that goes into placating a network in regular television. It's literally 70% or 80% of your workload, is showing them the material, getting their notes and presenting it to them and making sure they weigh in. It's a huge amount of work.
Suddenly the land is haunted by all these dead Indians. There is this new fascination with the Southwest, with places like Santa Fe, New Mexico, where people come down from New York and Boston and dress up as Indians. When I go to Santa Fe, I find real Indians living there, but they are not involved in the earth worship that the American environmentalists are so taken by. Many of these Indians are interested, rather, in becoming Evangelical Christians.
Circus is what real life should be like. It's sincerity, feeling, emotions. All real. There are no lies in circus. There are artists working together to give a smile. It's a world where people help one another. It's the only show where a family, everyone from children to their grandmothers, can sit together and all be entertained by the same thing.
What I do is to collaborate with each actor and work one-on-one to create a character. And that is a matter of huge complexity and is a combination of a great deal of discussion and a lot of practical work. It involves a lot of consideration for the real people out there, and all kinds of sources of real people. The result is the character. But I'm not supposed to talk about what it is we do, because it's nobody's business.
While there used to be one or two Pops orchestras, now there are all kinds of European orchestras that suddenly look upon this as a golden wand that can enable them to make money recording this music.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
I just think that you have to approach anything you do with a huge amount of integrity - I don't really care where it comes from, whether it's a children's piece or an adult piece.
Our commitment to Afghanistan is a long-term one. We put a huge amount of resources into trying to make sure there is peace in that country, a huge amount of development assistance, a huge amount of political support for the government.
I notice that Indians love to tweet about each other - will be like, yeah, go India, we're awesome, Indians are awesome, here is another example of an awesome Indian. That's a dangerous false nationalism that I am not interested in. There's a huge amount of diversity within our so-called communities; within the South Asian community, there are people who would never talk to each other.
I also work with the regular orchestras in Munich, Germany and other similar orchestras.
My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it.
At times, you're welcome, depending on what's being cast. 'Dances with Wolves' - they wanted authentic-looking Indians in the film, and so they got it. The same was true with 'The Last of the Mohicans' and 'Geronimo.'
If you were to ask me, “What the hell does a musician have in common with a restaurant?” I would say a huge amount. It’s showtime every day, it’s a team of people, like, running a circus, which is running a rock-and-roll band.
If you were to ask me, 'What the hell does a musician have in common with a restaurant?' I would say a huge amount. It's show time every day, it's a team of people, like, running a circus, which is running a rock-and-roll band.
The big thing that Moneypenny changed was the amount of charity work that I was able to be involved with.
Going to the conventions, seeing the incredible amount of love that people put into their clothing, costumes, gadgetry, and art of all kinds, is a huge treat for me.
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