A Quote by Ryan Adams

I used to be so excited when I saw my name in print. — © Ryan Adams
I used to be so excited when I saw my name in print.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
The period in the name - huge mistake, I know. We didn't think about that. We never thought we were going to be written up in magazines. The second we saw it in print, like, what a mistake, man.
I saw the Kino print of 'The Man From Beyond,' but apparently a superior new print has been produced by Restored Serials. Maybe a few snippets of missing footage will close up some of the plot holes, but I have my doubts.
Manchester United is a huge club. When I was young, it was a name I used to hear and it was a name I used to see on computer games and I used to play with the team.
I loved seeing my name in print, I loved seeing my words in print. I felt really privileged to be in the kind of company I was in at Esquire, but I didn't think it was going to launch a career as a top-notch journalist. It's just not what I wanted.
When I was a kid, I saw Mardi Gras in New Orleans. So to me Party Rock was always wear your animal print, bring your no-lenses glasses, dress up in a bunch of colors and have fun. Animal print is a must.
I remember giving auditions for ad films and I used to wait for hours for my turn to come. I used to go for print shoots for Rs 2000. I used to go to the director's office with my portfolio and the receptionists used to tell me to put it in the post box outside.
My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.
The names of great painters are like passing-bells: in the name of Velasquez you hear sounded the fall of Spain; .in the name of Titian, that of Venice; in the name of Leonardo, that of Milan; in the name of Raphael, that of Rome. And there is profound justice in this, for in proportion to the nobleness of the power is the guilt of its use for purposes vain or vile; and hitherto the greater the art, the more surely has it been used, and used solely, for the decoration of pride or the provoking of sensuality.
I feel like the Earth is a re-print of a re-print of a print of a re-print.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
It's not cool to have your name in print when it's not the truth.
It's nice to see your name in print. It's interesting.
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
I used to be a print reporter.
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