A Quote by Ryan Adams

When I was in high school, I remember, on my Converse sneakers, on one side, I had written 'Social Distortion,' and on the other side, I had written 'Guns N' Roses.' — © Ryan Adams
When I was in high school, I remember, on my Converse sneakers, on one side, I had written 'Social Distortion,' and on the other side, I had written 'Guns N' Roses.'
I had never thought of advertising as a life work, though I had on the side, written some very successful copy.
It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.
I remember all the way back in high school thinking about writing books. And, in fact, I've written a lot of stories. I've got dozens of stories I've written that no one's ever seen.
The secret to success is written on the doors of this auditorium. One side says 'Push,' the other side says 'Pull.
Interestingly enough, there is a really different dynamic when you're directing something that somebody else has written compared to when you're directing something that you've written. And there's a good and a bad side to it. I think the bad side is that you never feel the same level of connection to the material - you just don't.
Oh my God, there are so many songs I wish I had written. 'Waters of March,' I wish I had written 'My Baby Just Cares for Me,' I wish I had written 'This Will Be Our Year,' I mean, there's millions of them. 'Wouldn't It Be Nice?'
When you are on the bright side of life, do not forget the people who are on the dark side and remember that man can easily slip from one side to the other!
In middle school and high school, I had straight A's, and I graduated at the top of my year. On the flip side of that, I struggled with very severe performance anxiety.
Love stories are written in millimeters and milliseconds with a fast, dull pencil whose marks you can barely see, they are written in miles and eons with a chisel on the side of a mountiantop
I began composing the next poem, the one that was to be written next. Not the last poem of those I had read, but the poem written in the head of someone who may never have existed but who had certainly written another poem nonetheless, and just never had the chance to commit it to ink and the page.
I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.
I went to school for engineering, I studied jazz. So I always had this kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
I remember my father checking on a mountain kid who hadn't been coming to school. My father had this beautiful Harris tweed overcoat. He came back with a knife cut all down one side. The parents had told him it was none of his business why their son wasn't going to school.
I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.
I liked Columbia, but it was like high school in that there was this big social world that I was not part of. I existed on the side, far away. That might be temperamental, my own fear of large groups, more than anything else. But I had a handful of professors who meant a lot to me.
I used to envy people who had written books, the way I think women envy other women who've had babies. I was resentful, shy, and inhibited around people who had written books. They'd done things I wanted to do.
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