A Quote by Ryan Babel

The striker role, together with someone else, is pretty good for me. — © Ryan Babel
The striker role, together with someone else, is pretty good for me.
Wilfried is a very good striker who is strong and intelligent - he talks to me all the time and advises me. We sit together in the dressing room and he's like a big brother to me.
I think that role model is kind of a weird thing because obviously you are, but I try to make good choices and good decisions for myself for me to have a good life. If that inspires someone else, that is great, but I think you should do good for yourself and your own happiness.
When one is small, one always looks up at someone. To me, it was my father, Antonio, a former amateur football player. He was a striker of great talent. He has always been a role-model.
We also have a team that works really well together, that knows whose turn it is to pick up what someone else can't continue-the five of us work really well together and if someone says, "My plate is too full, I can't handle this," then someone else will always grab onto it.
Someone asked me what the key to being a good frontman was, and I think having a sense of humor about it is pretty near the top of that list. It's a very strange place to be in, and I don't take that role too seriously.
I play guitar... I like to say that I'm pretty good, but it takes someone else to tell you that you're really good.
I'm a pretty busy director and it's pretty hard for me to have three months where I could just leave the country and go work on someone's else's project.
I still believe I can be a striker but, if you want to be a striker, you have to think more about yourself and that's why you are a striker.
I played together with Lewandowski for many years, so I know a good striker when I see one.
I've always been a pretty good ball-striker, I've relied on my ball-striking in my whole career, my athletic ability. But the short game and putting has kind of held me back in majors.
Niang is very good in front of the goal, and he's also a quick learner. He is a versatile striker who can play both as a centre forward and as a second striker.
A role is a role where I play someone else, but when it comes to paintings, it is me. It is unadulterated Shefali and there is no control and I can let go. I am unabashedly unapologetic about it. That is what is interesting about my paintings.
As a striker, your job is mostly to forget. When you have someone like Vidic marking you, and it's misery for 89 minutes, all you have to do is forget everything. Forget the 89 minutes. Because in the 90th minute, you might finally get your chance. I have been pretty good at this in my career.
It also helps that what Dan Slott is doing with Peter Parker in the comics has elevated him to something else, so that Miles Morales at the moment is the more traditional Spider-Man figure in the universe: the high school student trying to balance high school and superheroics, and he can't catch a break. That was Peter's role, but it's not his role anymore, and it's Miles' role. That was given to me, and it's pretty cool.
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
I love playing a role, anything that's dramatic. I'm enjoying living that kind of life: being someone else, getting to die, being a temptress. I enjoy being someone else on stage.
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