A Quote by Ryan Bingham

I used sit in the back of the truck and make up these songs and play at the tailgates at rodeos. — © Ryan Bingham
I used sit in the back of the truck and make up these songs and play at the tailgates at rodeos.
I used to come home and play piano all day by ear and make songs up or figure out my favourite Elvis songs. I'd make up games by blindfolding myself and singing the harmony to whatever notes I'd play.
Growing up, I was definitely surrounded by music all the time. My parents used to always play music; my dad used to have reggae on. I remember walking around with a cassette recorder, and I used to just record the songs I would hear on the radio so I could play it back when I feel like.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
I used to just sit in the living room and make up songs on the keyboard.
Before, I used to just make songs all day and now, with so much business and other things that I have in my personal life, I don't have time to sit around and make songs like I used to. I wish I did. I wish I could practice on my craft all day and just be in the studio like I feel Lil Wayne does.
I always packed around this guitar my mother gave me before I left home, I would write songs and play them for my buddies at the rodeos and local bars we would frequent.
When I think about the songs I might record, I ask myself, 'Can I picture anybody I know back home sitting in their truck cranking this up?'
I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
When I was 16, I used to drive huge loads of laundry in a three ton truck. I would turn round at night to drive back and see the band in a place north of Toronto called Dunn's Pavilion. I would drive that truck all day and they drive back and all the way until one day I wrecked the truck. I fell asleep and wrecked it. I was OK and so was my helper. I called my dad and the first words out of his mouth were, "are you OK?" I was really lucky I had a kind father.
I think everybody should just turn off their TV machines and make up their own songs about whatever comes to mind-their couch, their friends their loaves of bread. Everybody's got their own songs. There should be so many songs out there that it all turns into one big sound and we can put the whole thing into a pickup truck and let it roll off the edge of the Grand Canyon.
I used to listen to songs on the radio and play that junk back on that little keyboard.
I write a tiny fraction of what I used to write. My only job used to be to just write songs, and that was a really nice job to have, but only a tiny amount of people heard those songs, and I didn't make a living from it, and eventually I begged my parents to let me move back into my room.
Nothing is more frustrating to me than putting a song on an album and regret putting it on there. I'm excited that there are no songs on 'Tailgates & Tanlines' that I'm iffy about.
I used to sit in my pickup truck at 7 o'clock in the morning outside my office and listen to the Replacements or something full blast, thinking, 'What am I doing here?'
My songs used to be significantly more bizarre. I used to play a big electric piano and a loop pedal. I was really into Regina Spektor, and I liked her narrative lyrics that were quite off the wall. I used to layer things up and try and replicate what I'd been doing with my bedroom recordings.
I've always loved the songs of the sea. I was first introduced to them back in 1957, at the Old Town School of Folk Music. I used to go to Pete Seeger concerts, and he would do songs like 'Ruben Ranzo' and talk about how the sailors sang songs to do their work - to raise the anchors, pull up the sails and that sort of thing.
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