A Quote by Ryan Bingham

I think some of my previous stuff... I tend to be a bit lazy in songwriting, where I'll just keep the first thing that comes down, and I won't go back and revisit stuff.
I think you can't really beat Bob Marley, especially the stuff he was doing with Lee Perry. Just that kind of clubby and dark and crazy stuff, even with the Wailers... Some of the songwriting was phenomenal.
I consider myself pretty lazy, but I look back and check out the stuff I've done, and I say, 'God, that's a lot of stuff for a lazy guy.' It's a paradox, I suppose, being both things.
I get labelled as just being about one thing, but there's lots of layers to what I do. It's just lazy journalism, but people start to accept it. If people spent an hour in my car driving around London and listening to the stuff I listen to, they'd hear some interesting stuff.
I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.
Some people are a little bit afraid about the future because they see all these gadgets and gizmos coming down the pike and they think they're too old to learn all this new stuff. But eventually they begin to realize, 'Hey, some of this stuff is useful.'
I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.
I've never been one to learn scales and do exercises. Maybe I'm lazy, but I just don't take to that kind of thing. Learning other people's songs is enjoyable, and my fingers tend to go to new places because I'm not playing my music, the stuff that comes naturally to me.
I just do what Clint Eastwood does: Keep moving forward. You can't look back or think about that kind of stuff too much. You just keep making movies; hopefully you make some good ones.
Songwriting is like editing. You write down all this stuff - all this bad, stupid stuff - and then you have to get rid of everything except the very best.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
So much of the time I'm cast as an asshole or a douchebag, or that kind of thing. I'd like to go back to just playing a guy with a good heart. Usually so much of my stuff is ulterior motives or a dark thing to it. Maybe that's what other people see in me, but I feel like I have a warm side, too, humor and fun. I'd like to play a little bit more of that. Feel-good stuff. Why not?
I go back to the old school days of that Attitude Era stuff. Everybody knows when I speak of the Attitude Era, my favorite stuff is of the mid-'80s, all that NWA stuff, the World Class stuff, the stuff that Bill Watts was doing.
I think the philosophy that you have to have if you travel frequently is, stuff is just stuff. Even if it has some sentimental or family connection, if you lose it in the world, it's still just a thing, and I think if you don't have that attitude, you will get incredibly stressed out and not enjoy your travels.
Actually, time and time again people always come back to my early, more innocent stuff, and say, "I kind of prefer that." I could go back to writing that and probably make more people happy, but it just doesn't feel like the right thing to do. I don't want to take the lazy route.
Dealing with wedding stuff is a bit of a double-edged sword - it seems that divorcees are expected to either burn it all on the front lawn, tears silently coursing down their faces, or keep the stuff, shrine-like, concealed somewhere in their homes.
People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
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