A Quote by Ryan Bingham

I always had to have a day job, working on other people's ranches or construction or whatever. I was making a little bit of money rodeoing, but between the both of them it wasn't much of a living.
When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
It worries me about what happens if people in government are looking for that next job: 'Yeah I'm working now, not as much money as I could be making, but when I leave here, that's where I'm headed.' That ultimately infects whatever it is that they're doing.
For me, when I came in, I was always worried about making the other guys happy and giving them the puck and almost giving them a little too much respect. It can take away from your game a little bit.
I'm in a little bit of a different situation, because working in the business that I do and living in the city that I live in, I haven't had a problem with people who are gay. Since I was 10 I've been working alongside them, and some of my best friends are gay.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
I keep my horses out in the open, but when I was working the ranches, I had to clean the stalls. It was a horrible job.
I always had two or three jobs at the same time. I started doing yard work when I was 7 or 8. When I was 13, I got my first state job doing road construction. Between working, sports and school, I hardly ever had free time.
It's hard because there's a little bit of PTSD from when you're a struggling actor, working at a restaurant or living in a garage. There's a little bit of an inherent knee-jerk reaction to say, 'Yes, yes, yes, please just give me a job.'
I always had a very strong sense of responsibility, so the minute I started to work in fashion, I was always tremendously serious-too much sometimes. Of course, you can make a lot of mistakes in this job-I still do-but you need to limit them as much as possible. When you're responsible for such a huge company, you cannot play too much. In the beginning, I was working 20 hours per day and I was going crazy. I learned that I needed to delegate and to trust the people around me, but there is still not one element that I don't see or edit or discuss with my people.
My job is making money, helping other people make money. I am spending money, trying to make sure more people get rich, because you cannot spend a lot of money, right? So my job is spending money, helping others. This is a headache.
The secret of my success is that I make other people money. And, never, ever, be ashamed about trying to earn as much as possible for yourself, if the person you're working with is also making money. That's life!
To ask a country with 750 million people living on less than a dollar a day to optimize their development for the environment as opposed to getting food in the mouths of these people and giving them a decent lifestyle, that's just a little bit too much to ask.
You're working with adults and you're being paid to do a job. And you're a kid. Then you go back to high school, and everybody's partying, and they're doing math. I always felt a little bit outside of it. Outside of both experiences, really.
The people I always loved listening to had a little bit of dirt under their fingernails because they had done some living and had these stories to talk about.
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