A Quote by Ryan Buell
I worked on a case in Pittsburgh that you would call a demonic haunting. Blood would materialize on the walls, crosses were bending, we'd hear sounds. Just crazy things.
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Imagination doesn’t just mean making things up. It means thinking things through, solving them, or hoping to do so, and being just distant enough to be able to laugh at things that are normally painful. Head teachers would call this escapism, but they would be entirely wrong. I would call fantasy the most serious, and the most useful, branch of writing there is. And this is why I don’t, and never would, write Real Books.
I've just come back from Vegas, and I was in on the caucus process. It's insane. What a mess. And also with these particular candidates who are running, so many times I said, "I just wish Kurt Vonnegut were alive." This is like something he would be writing. This is just crazy stuff. I would love to hear his take on it.
If you call it a riot, it sounds like it was just a bunch of crazy people who went out and did bad things for no reason. I maintain it was somewhat understandable, if not acceptable. So I call it a rebellion.
One of the main things I know about O.J. Simpson is that he is a compulsive talker. So if I were to ask him one question, I would get 45 minutes on the history of the case. It would be irrelevant what I would ask him - he would just start talking.
I worked in a schizophrenic home when I was an undergrad. You learned to be jaded to the crazy things they would say to you, but there was one man that I always gave crazy respect to, even though he would say the exact same thing to me every single day.
First of all, when I was making the decision, I never thought that Pittsburgh fans would want me back. Every time I played there, they were booing me every time I touched the puck. I didn't think it would be such a big deal that I didn't sign with Pittsburgh.
Sometimes the names were humiliating, deliberately so. Somebody would pick out your flaw. If you were little, they would call you Shorty. And if you were angry, they would call you the Devil.
It was at Harvard not quite forty years ago that I went into an anechoic [totally silent] chamber not expecting in that silent room to hear two sounds: one high, my nervous system in operation, one low, my blood in circulation. The reason I did not expect to hear those two sounds was that they were set into vibration without any intention on my part. That experience gave my life direction, the exploration of nonintention. No one else was doing that. I would do it for us. I did not know immediately what I was doing, nor, after all these years, have I found out much. I compose music.
Horses in the Book of Mormon would be another. You have relatively few mentions of horses, but there are some, and we don't know exactly how they were used; they don't seem to be all that common. Were they horses as we understood them, [or] does the term describe some other animal? Languages don't always and cultures don't always classify things the way we would expect. We have what we call common-sense ways of doing it. They're not common sense; they're just ours. But again, we don't have a strong case there. We're just problem solving there.
When I was on acid, I would see things like beams of light and I would hear sounds that sounded an awful lot like car horns.
I do wish everyone would call me Leo. It's not that I don't like Melissa. But the more I hear it called out, the worse it sounds.
It's crazy how intelligent kids can be at a very young age and how they know what they know. I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer.
Superhero power... I probably would just want to fly. I definitely would not want to be able to see through walls. I think walls are there for a reason. People put them up for a reason. You don't want to be looking through them. That would only cause nothing but misery and angst to know what's happening behind people's walls.
I would describe our band "Paper Walls' growth as the natural evolution for anyone the age of 25 to 27, but with "Paper Walls' we focused on the best of what Yellowcard had to offer from our previous work. Meaning we took the energy we had from Ocean Avenue and blended that with that sharp rock edge and all the different sonic evolutions we have on "Lights and Sounds', and we basically mashed them together. So what we have on "Paper Walls' is basically the finest Yellowcard sounds we have to offer.
If I knew that today would be the last time I’d see you, I would hug you tight and pray the Lord be the keeper of your soul. If I knew that this would be the last time you pass through this door, I’d embrace you, kiss you, and call you back for one more. If I knew that this would be the last time I would hear your voice, I’d take hold of each word to be able to hear it over and over again. If I knew this is the last time I see you, I’d tell you I love you, and would not just assume foolishly you know it already.
Several times a day, stop and just listen. Open your hearing 360 degrees, as if your ears were giant radar dishes. Listen to the obvious sounds, and the subtle sounds?in your body, in the room, in the building, and outside. Listen as if you had just landed from a foreign planet and didn?t know what was making these sounds. See if you can hear all sounds as music being played just for you. Even in what is called silence there is sound. To hear such subtle sound, the mind must be very quiet.
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