A Quote by Ryan Cabrera

I'll do anything for $50. People are always trying to get me to do dumb things. The possibilities are endless. — © Ryan Cabrera
I'll do anything for $50. People are always trying to get me to do dumb things. The possibilities are endless.
It takes an awful lot of time for me to write anything. I have endless drafts, one after another; and I try out 50, 75, or a hundred variations on a single line sometimes. I work on the process of refining low-grade ore. I get maybe a couple of nu ggets of gold out of 50 tons of dirt. It is tough for me. No, I am not inspired.
I don't see the point of Twitter, so I write a lot of stuff to mess with people. But because I used to do dumb things on the court, people think I'm dumb in regular life. But once people meet me, they feel dumb themselves.
Every time you get into a new job, new location, you have an amazing opportunity in front of you. You get to play dumb for as long as people will allow you to play dumb. You get to ask all the dumb questions, you get to ask multiple people the dumb questions, and you get to make mistakes. Thats how you stand out in the crowd.
Every time you get into a new job, new location, you have an amazing opportunity in front of you. You get to play dumb for as long as people will allow you to play dumb. You get to ask all the dumb questions, you get to ask multiple people the dumb questions, and you get to make mistakes. That's how you stand out in the crowd.
I don't pretend to be a general or an admiral or anything else, but I just - every time I see - I see President [Barack] Obama get up, "Ladies and gentleman, we are sending 50 people to Iraq," 50.So that's bad in two ways. Number one, it's such a low number that the enemy's saying is that all?And number two, when you think 50, those people now have a target on their back. They wanna find those 50 people and they look for those 50 people.
As far as I can remember, I have always wanted everything from life, everything it can possibly give me. This desire separates me from people who are willing to settle for less. I cannot even comprehend how people's desires can be small, ambitions narrow and limited, when the possibilities are endless
Sometimes I lie awake at night thinking about all the dumb things I do every day... If I live to be eighty and I do ten dumb things each day... That would be about two hundred and ninety thousand dumb things... When you add up all the dumb things you do, it's best to use round figures.
If I'm not clear with the character, I can't do anything with it. But once I get that character, the possibilities are endless. When you have such a defined character, I feel like I can actually read the phone book and make it funny.
I'll always have a totally open mind to endless possibilities. I want to do a dance album. Not Techno, but a record that's exclusively designed for people to dance to. That whole dance genre is kinda into its own world. I'd just like to get in there and mess around with that.
It's a very weird cultural perception that if you're fat you're dumb, that you're lazy or a loser. Clearly, those are the preconditions for fatness. You're a failure, because only a lazy person, only a dumb person, would allow themselves to get into this situation. It's appalling that this is the mindset. People generally treat fat people like we don't know anything about anything. It's incredibly demeaning. And incredibly frustrating.
When I play supernatural characters in 'Ghost Rider' or 'City Of Angels,' the possibilities are limitless. The possibilities are endless, you can do so much with that.
I've got dreams now of reinventing 'Hellraiser' and just getting my head on anything I can get my hands on that maybe I would love. 'Cause the possibilities are endless: I can make my own movies; I can make other people's movies. But if someone had a 'Hellraiser' script and had funding, and I loved it, let's go.
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
It is the closest instrument to the human voice, and the things you can do on the cello... there are endless possibilities.
I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.
Obviously you've got God-given talent to do things that a lot of people can't do but I actually put the body of work in to get stronger, get faster, trying to work on my technique, trying to do little things that people usually don't do, just trying to improve my game.
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