A Quote by Ryan Day

You can't just drive with no brakes and think that everything is going to go great, and the minute something goes bad, you fall apart. — © Ryan Day
You can't just drive with no brakes and think that everything is going to go great, and the minute something goes bad, you fall apart.
Everything that comes together falls apart. Everything. The chair I’m sitting on. It was built, and so it will fall apart. I’m gonna fall apart, probably before this chair. And you’re gonna fall apart. The cells and organs and systems that make you you—they came together, grew together, and so must fall apart. The Buddha knew one thing science didn’t prove for millennia after his death: Entropy increases. Things fall apart.
There's something wrong with the brakes." He didn't recognize his shaky, weak voice. He pumped them again. Nothing. "There's something wrong with the BRAKES?" "I don't think we have any." "We don't have any BRAKES?" "Bro, it doesn't help to repeat everything I say!" Jonah yelled.
Basketball's so much like life: if something's going great, you wait a minute, it will change. If something's going bad, you wait a minute, it will change. So I try to play things on such an even keel, knowing that things are going to change. You take the good with the bad; you don't get too excited, you don't get too down and sometimes that's the hardest thing in the world to do when you're in the midst of it, but that's the best way to handle it.
In my career, I've always felt like all great things came at once, and when something goes bad, it always seems that everything else seems to start going bad.
Nine years after I had my own accident, I find that in trying to go back to doing those things that I used to do just doesn't fit. Everything seems to just fall apart. I don't know why but I think it is because I am this new creature.
Otherwise I'll fall apart. I'm going to fall apart. I am falling apart.
There's always something going on, and people need that 45-minute-to-an-hour-and-15-minute break, where they just escape and not worry about bills, health care and God knows what. That, to me, is when you're making great music: when people can just forget about what's going on.
The minute I feel nervousness or anxiety or fear, I go, 'No, no, that's not a thought that I need to have right now. Everything's great, everything's good, you're going to be fine'.
I'm very into positive thinking. The minute I feel nervousness or anxiety or fear, I go, "No, no, that's not a thought that I need to have right now. Everything's great, everything's good, you're going to be fine."
Just because your world is falling apart doesn't mean you have to fall apart. When everything seems crazy, you be calm. Don't let the outer chaos you are facing get inside of you.
There's a lot of things that go into scoring touchdowns and leading your team. It's not just the game itself, but going back and studying tape to pick apart everything I did. It's nice to have something to go on, doing it full speed in a game situation.
I've always wanted to make a big apocalypse movie. I love 28 Weeks Later, I think it's great but Cell is totally different. It's about people's dependence on technology, the collapse of society and watching everything fall apart. That's something I've always wanted to do, which I believe it can!
You want to fall, that's all. You think it can't go on like that. It's as if your life is a perch on the edge of a cliff and going forward seems impossible, not for a lack of will, but a lack of space. The possibility of another day stands in defiance of the laws of physics. And you can't go back. So you want to fall, let go, give up, but you can't. And every breath you take reminds you of that fact. So it goes.
I've always said winning's the great deodorant, and conversely, when you have a bad record, everything stinks, and everything starts to unravel, and everything falls apart.
I've always said winning's the great deodorant, and conversely, when you have a bad record - everything stinks - and everything starts to unravel, and everything falls apart.
You should never settle for what you think is just good. You should drive the editors and writers and everybody nuts until it's great. And if you don't go for great, you won't end up with good. You've got to go beyond your wildest dreams because the exigencies of filmmaking are going to smash you into the ordinary.
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