A Quote by Ryan Fitzpatrick

If the play-caller has confidence in you, you can feel it on the headset. You can feel it by the way he's calling plays. — © Ryan Fitzpatrick
If the play-caller has confidence in you, you can feel it on the headset. You can feel it by the way he's calling plays.
People with the strongest and healthiest sense of calling are not obsessed with their calling. They are preoccupied with the Caller.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
There are certain times in a concert when I'll call an audible because I feel like God is calling me to play a different song. But truthfully, I feel called to play for the church whether it's song being played on Christian radio or it's concerts I'm doing primarily in churches.
Golf is recognized as one of the more difficult games to play or teach. One reason for this is that each person necessarily plays by feel, and a feel is almost impossible to describe.
I'm very grateful for the way that I feel when I play. I feel very powerful, I feel fast, I feel unstoppable, and that's because of my body.
I'm not a guy who counts cards. I'm a guy that plays with feeling. Because I feel that if something is going to come up, it comes up; if it doesn't, it doesn't. And a lot of people get pissed at me because that's the way I play but that's the way I learned to play - with my feelings.
A calling is the place where your gifts, abilities, desires, and feelings of worth all meet. When you follow your calling, you feel at home, at peace - you feel as though you're where you're meant to be.
anyone who writes plays is unbelievably persistent, because there isn't a need in the world for plays. Somehow you internally have to feel a need to write a play.
I did plays in college, and I have half of a play. But I'm kind of stuck. I keep revisiting it so maybe it will move somewhere. There's something about plays where you can feel that sense of artifice at any moment.
In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place.
Calling has this weight that somehow we think that your calling is fixed. That your calling is this line that you’ve finally found and now you're on that track and that’s what you’re gonna do forever and maybe that's the case. But I feel like calling has much more to to do with the moment that you’re in.
There's no easy way to the top of anything, but it's a lot of hard work and I feel maybe I have the confidence in that recipe, or the confidence in myself.
To be a true artist you have to play the way you feel - not the way others think you should feel.
To be a true artist you have to play the way you feel not the way others think you should feel.
It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
How can you be afraid to feel? Isn't fear a feeling? If you're feeling fear, you've felt one of the most negative emotions there is to feel. Everything else should be a piece of cake. Feel good, feel happy, feel healthy, feel loved, feel abundant, feel creative, feel compassionate, feel knowledgeable, feel powerful.
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