A Quote by Ryan Garcia

That's all I want - to shock the world. The only way to do it is to do something hard. — © Ryan Garcia
That's all I want - to shock the world. The only way to do it is to do something hard.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
Going into that race I was going for the world record, just quietly, but I wasn't feeling at my best all week so it was hard to determine what would happen. I could not believe it, I went into shock, I'm still in shock.
I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'
You have to think of a new way to make something new. And the biggest sin - you can never try too hard. You can never look like you're just trying to shock people, 'cause that's simple. But making people laugh is the hard part.
You don't do things for shock value anymore, because that's not even the language of today. At least, that's not what interests me. If I do it, it's because I want to see things in another way, not necessarily because I want to shock anybody.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
I want hard stories, I demand them from myself. Hard stories are worth the difficulty. It seems to me the only way I have forgiven anything, understood anything, is through that process of opening up to my own terror and pain and reexamining it, re-creating it in the story, and making it something different, making it meaningful - even if the meaning is only in the act of the telling.
That's just what I want to do: Create a path that's unknown. It's hard in this business and this world we live in to trail-blaze. To create something different and do your own thing is hard nowadays. That's what I want to do. I want to take these matches to a whole new level and break that bar.
If you want something you can have it, but only if you want everything that goes with it, including all the hard work and the despair, and only if you're willing to risk failure.
Do you understand the difference between dying for something and dying for nothing? The only reason I fought so hard to stay alive in China was because I didn't want to die for nothing. Today, I can die for something. My way, my choice.
Trouble is, kids feel they have to shock their elders and each generation grows up into something harder to shock.
You don't want to shock them and do something totally opposite, but you also want to play a different character.
Here I am going to say something which may come as a bit of a shock. God doesn't necessarily want us to be happy. He wants us to be lovable. Worthy of love. Able to be loved by Him. We don't start off being all that lovable, if we're honest. What makes people hard to love? Isn't it what is commonly called selfishness? Selfish people are hard to love because so little love comes out of them.
I didn't want to be a shock absorber; I wanted to deliver the shock.
We never really tried to shock for shock's sake on 'Family Guy'. If something was horribly offensive and shocking, we would put it in if it was also hysterically funny.
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