A Quote by Ryan Gosling

The thing that's so exciting when you're making a film is that it can be anything and there are no limitations on it. — © Ryan Gosling
The thing that's so exciting when you're making a film is that it can be anything and there are no limitations on it.
The whole thing that drew me to doing an animated film is that you're freed from the physical limitations of your physical body. All of a sudden, you get to be something that has nothing to do with the fact that I'm a 6'4", lumbering dude, and that is really exciting.
Making a film is beyond exciting. It's so exciting, it's exhausting.
When I was 28, I made this film called 'Drinking Buddies' that I starred in and produced, and we improvised the entire thing, and it was a complete exercise in freedom of expression in making something for only the purpose of making it, not for recognition or money or anything else, and it's still my favorite thing I've ever done.
The great thing about making picture books is that you can make absolutely anything you want happen. It's a bit like making a film, but you don't need lots of money for actors and costumes - you just need pens, paper, and your imagination.
I don't want to be a film-maker. I think painting is far more exciting and profound. It's always at the back of my mind - let's give up this silly business of film-making and concentrate on something more satisfying and worthwhile.
Well, as far as film, either you're making a film or you're making videos. Digital capture is always trying to emulate the range and look of film. I believe personally that film has more.
It's always scary making a film as I never set anything up or ask anyone to do anything, so I worry that we'll find a story. I have to trust that a film will come out of the journey we embark on. I have many, many sleepless nights.
The interesting thing is it's outside the statute of limitations for a civil suit by Leeds. It's actually is not outside of the statute of limitations under the criminal side. Because it occurred on an airplane and federal law doesn't have a statute of limitations I know off for that particular offense.
What is exciting today is that with technology filmmaking has been democratized, and so many more people have access to making a film.
The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
With Fincher, you can take chances and try things. And what happens is that any pretension and preparation you've done, all the square, intellectual work, you can't keep that up for 40 takes. It breaks down, and new things start popping up. This, for me, is the most exciting thing about film-making.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
Of all the disciplines involved in making anything - TV, film or anything I do - the writing is the most valuable commodity.
I'm just asking for a fair shake. You see a lot of these guys, a lot of these other champions making what they're making. I'm not trying to take anything away from them, but I feel like I'm one of the more exciting fighters under contract in the UFC.
The compelling thing about making art - or making anything, I suppose - is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances.
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