A Quote by Ryan Gosling

You have to question a cinematic culture that preaches artistic expression, and yet would support a decision that is clearly a product of a patriarchy-dominant society, which tries to control how women are depicted on screen. The MPAA is okay supporting scenes that portray women in scenarios of sexual torture and violence for entertainment purposes, but they are trying to force us to look away from a scene that shows a woman in a sexual scenario, which is both complicit and complex. It's misogynistic in nature to try and control a woman's sexual presentation of self.
It's misogynistic in nature to try and control a woman's sexual presentation of self. I consider this an issue that is bigger than (one) film.
Prostitution means sexual intercourse between a man and a woman aimed at satisfying the man's sexual and the woman's economic needs. It is obvious that sexual needs, even in a male dominated system, are not as urgent and important as economic needs which, if not satisfied, lead to disease and death. Yet society considers the woman's economic need as less vital than the man's sexual one.
To live in a culture in which women are routinely naked where men aren't is to learn inequality in little ways all day long. So even if we agree that sexual imagery is in fact a language, it is clearly one that is already heavily edited to protect men's sexual - and hence social - confidence while undermining that of women.
Women are socially disadvantaged in controlling sexual access to their bodies through socialization to customs that define a woman's body as for sexual use by men. Sexual access is regularly forced or pressured or routinized beyond denial.
An intelligent couple can read their Darwin and know that the ultimate reason for their sexual urges is procreation. They know that the woman cannot conceive because she is on the pill. Yet they find that their sexual desire is in no way diminished by the knowledge. Sexual desire is sexual desire and its force, in an individual's psychology, is independent of the ultimate Darwinian pressure that drove it. It is a strong urge which exists independently of its ultimate rationale.
I wish you would stop and seriously consider, as a broad and long-term feminist political strategy, the conversion of women to a woman-identified and woman-directed sexuality and eroticism, as a way of breaking the grip of men on women's minds and women's bodies, of removing women from the chronic attachment to the primary situations of sexual and physical violence that is rained upon women by men, and as a way of promoting women's firm and reliable bonding against oppression. . . .
Freud's view is that all love is sexual in its origin or its basis. Even those loves which do not appear to be sexual or erotic have a sexual root or core. They are all sublimations of the sexual instinct.
The last thing the consumer index wants men and women to do is to figure out how to love one another: The $1.5 trillion retail-sales industry depends on sexual estrangement between men and women, and is fueled by sexual dissatisfaction. Ads do not sell sex--that would be counterproductive, if it meant that heterosexual women and men turned to one another and were gratified. What they sell is sexual discontent.
Most people take who they are, naturally, as a given, and they're interested in the sexual other, but not in being the sexual other. Most men are interested in women - whether sexually or not is not the question - but they don't necessarily want to be a woman.
Making women the sexual gatekeepers and telling men they just can't help themselves not only drives home the point that women's sexuality is unnatural, but also sets up a disturbing dynamic in which women are expected to be responsible for men's sexual behavior.
Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.
The gay movement is an evil institution that's goal is to defeat the marriage-based society and replace it with a culture of sexual promiscuity in which there's no restrictions on sexual conduct except the principle of mutual choice.
Women cannot be equal participants in a society that views sexual assault and sexual harassment the way Donald Trump and his defenders do.
Women and men are divided by gender, made into the sexes as we know them, by the social requirements of heterosexuality, which institutionalizes male sexual dominance and female sexual submission.
Women have traditionally been either put on pedestals or damned as the source of all sexual temptation and sin. These are two sides of the same coin, since both place women in a nonhuman role. Playboy has opposed these warped sexual values and, in so doing, helped women step down from their pedestals and enjoy their natural sexuality as much as men.
Women are an enslaved population - the crop we harvest is children, the fields we work are houses. Women are forced into committing sexual acts with men that violate integrity because the universal religion - contempt for women - has as its first commandment that women exist purely as sexual fodder for men.
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