A Quote by Ryan Gosling
I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way.
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Politics, to Ariel Sharon, was like a Ferris wheel. But he didn't make do with just staying on the wheel; he did all he could to climb to the top and stay there.
I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.
If you do an original film and you want to cut a scene out you do it. But when you do a shot by shot remake you don't have that option and every scene has to work again.
They can't hurt me. Sure, they can crush you and kill you. They can lay you out on 42nd and Broadway and put hoses on you and flush you in the sewers and put you on the subway and carry you out to Coney island and bury you on the Ferris wheel. But I refuse to sit here and worry about dying.
I put on 15 kg for my role as an amateur wrestler in the first half of the Marathi film Natrang.' Then, I lost 17 kg for the second half of the film where I play a nachya,' an effeminate character in traditional Marathi tamasha. The weight gain took 40 days and I lost weight in the next 40 odd days.
I was in Milan, and somebody gave me a Trussardi diary, and I thought 'Genius.' Inside I put the Polaroids, how much film I shot, who I shot with. This way, for billing later on, I had all the information.
I inherited my weight problem from my mum. She was always on diets. If there was a box of chocolates in the house, she'd eat half a chocolate, then put the other half back. She loved me, but she did encourage me to diet in my teens.
They put me in a harness, like a horse, to learn the back somersault. It was weird up there when I put on that harness for the first time. The courage came with practice.
I never start editing a film until it's completely shot; I don't edit along the way, ever. When it's finished I come in here [screening room] and we start with reel one, scene one and start editing shot by shot by shot until we're finished.
The film 'Back to the Future' certainly did a lot to put me where I am today, and I did not foresee that. I just was hoping the film would open successfully, the first one, but it's gone way beyond what I think most of us have imagined.
The movie [Blue Jasmin] shot very quick. I met Cate Blanchett in the car on the way to set, and we did that last scene, and she was just so phenomenal. I had basically met her that day. Because the way he shoots, everybody just shows up and does their thing, and he moves us very quickly.
I wanted to be part of a high-class scene of musicians. It was half-inspired because I didn't have many friends, and I was hoping that I would meet people and fall in love and start a community around me, the way they used to do in the '60s.
Certainty a strange Ferris wheel of a statement!
A breeze blows through the alley, pushing me to one side, and I think of scaling the Ferris wheel with Tobias. He kept me steady then. There is no one left to keep me steady now.
It was hilarious [last scene with Edward Cullen] considering we'd spent the entire series filming in the most miserable conditions, and then we end on the beach in the Caribbean filming for two days in the sea. That was fun. We literally did the last shot as the sun was coming up in St. Thomas in the Virgin Islands. It was a nice way to end it, because they were considering shooting it in the sea in Vancouver, which would not have worked at all.
I once knew a man who stole a Ferris Wheel.
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