A Quote by Ryan Gosling

If you do one good thing, that doesn't define you either. Being around the kids in the juvenile center, they were engaging, they made us laugh but they were there for doing something terrible.
I've always felt there were aspects of me that were monstrous, and you can either hide from it or confront it, embrace it and understand that those are aspects that make you unique and define you and motivate you. You can either overwhelm or overcompensate for them -- but they truly define you as a human being...So that life became a question of either dealing with this monstrousness in one way or another...One finds a way to understand and make friends with that monster and understand that that's the very thing that makes you who you are. That's your emotional and spiritual fingerprint.
Part of the kick of making people laugh was doing something different. We were a rare breed - spotting one of us was like pinning a space alien, or abdominal snowman. There were maybe a hundred stand-ups in the whole country when I was doing it.
My dad and mom were more like World War II-era parents, even though it was the 1960s, because they were both born in the '40s. They were young adults before the '60s even happened, and married, and already having kids. But by the time we were adolescents in the '70s, the whole culture was screaming at parents, "You're a good parent if you're open with your kids about sex." They attempted to be open with us about sex, and it made them want to die, and consequently, it made us want to die.
When the kids were growing up, I think they thought the worst thing about me being a mom is that I would laugh at them. They would say something that they thought was serious and intense and I would laugh. I thought it was funny, but they don't want to be laughed at.
We were little children, four or five years old, but they were all around the house and they made us look epic, like we were part of some story being told. My mom would have this woman come to our house and take photos of us. She did a photo book of us as well when I was one. I still have it.
We were kids that didn't have any education. None of our parents were in the music business or even college graduates. We didn't have someone guiding us. We were just uneducated kids from the middle of nowhere that suddenly had a band going around the world.
I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.
We were very effective, and I was very effective, in shaping public opinion around my campaigns. But there were big stretches, while governing, where even though we were doing the right thing, we weren't able to mobilize public opinion firmly enough behind us to weaken the resolve of the Republicans to stop opposing us or to cooperate with us. And there were times during my presidency where I lost the PR battle.
Sitting in the darkness of the cinema, I got to see another world. This imaginary world was a refuge for many of us. Of course, the films were controlled and censored by the regime. But I still thought, around this time, that maybe making films would be good for me. I thought of expressing myself through this medium, and of doing something for the Kurds. The options were clear: either I'd work as a lawyer under the Baath regime or make movies independently.
I know that sounds so circular, but for you, what you were made to do, is different than what I was made to do. But instead of spending all of our time having Bible studies about what we were made to do, go do stuff and you'll figure out what you were made to do, because you'll be great at some things and you'll be terrible at others.
And the funny thing was if you made the best of it, if you smiled through every storm, the bad things were never as terrible as you expected them to be, and the good things were better than anything you could have wished for yourself.
The funny thing is, when I've gone through the relentless editing process, my editor and I are amazed the Mercy Watson books still make us laugh. The same jokes that made us laugh the first time around still make us laugh in the 16th rendition.
It was a wonderful time to be young. The 1960s didn't end until about 1976. We all believed in Make Love Not War - we were idealistic innocents, darling, despite the drugs and sex. We were sweet lovely people who wanted to throw out all the staid institutions who placed money and wars above all else. When you're young you think that's how life works. None of us were famous, we were broke. We didn't think they'd be writing books about us in 30 years. We were just kids doing the right thing.
There was a reason these boys were still alive, though. Something made them stronger than the other kids, the ones who had died in the early days, who had simply lain down and given up, unable to cope with the terrible things that were happening in the world. These boys were survivors. The will to live was stronger than any other feelings.
Most men somewhere in their psyche are still dragging women around by their hair. It's terrible. I have two daughters, but even before my kids were born I always thought that it was terrible.
I tried to instill a different motivation, to give them the security and the conviction that they were doing something good, something necessary, something useful - if you want to use a grandiose expression, that they were doing something for peace.
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